Oscar Wilde's Literary Relations

[Victorian Web Home —> Authors —> Aesthetes and Decadents —> Oscar Wilde —> Works]

[Disponible en español]

• Wilde's praise of Matthew Arnold and Elizabeth Barrett Browning
• Ruskin, Wilde, Satire, and the Birth of Aestheticism
• Ruskin in Wilde's 1882 Lecture at Yale University
• Classical and Romantic Figures in Wilde's Education and Writing
• Ovid and Classical Mythology
• John Ruskin and the Jokanaan of Wilde's Salomé
• "If thou hadst looked at me . . . ": Wilde's Picture of Salome
• Seriousness and the Decadent Pose: Pater and Wilde
• Eliot's Daniel Deronda and the Problem of the Jewish Manager in The Picture of Dorian Gray
• Pater in Wilde's The Happy Prince and Other Tales and A House of Pomegranates
• The Picture of Dorian Gray, Tennyson, Stevenson, and Victorian views of Suicide
• London in Wilde and Dickens
• The Wilde-Beerbohm Relationship
  • Introduction: The Incomparable Max and the Unspeakable Oscar
  • The Early Period: Imitation
  • The Middle Period: Criticism
  • The Late Period: Satire
  • Conclusion: "Compare Me"
• Love and the Discovery of Self in Hardy and Wilde
• Oliver Parker's 2002 film adaptation of Oscar Wilde's The Importance of Being Earnest

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Last modified 18 March 2012