Image and Symbol
- Dillard, Nature, and the Persians
- Annie, Get Your Similes!
- Dillard and the Symbolical Grotesque
- The Horse Fly of Tinker Creek
- The Penny as Symbol in Annie Dillard's The Pilgrim at Tinker Creek
- Hidden Pennies, Deflated Frogs, and Inverted Magicians
- Not for the Faint of Heart: The Horrors of Nature in Annie Dillard's Pilgrim at Tinker Creek
- Epigrams and Old Toms
- Dillard outlines her project
- Dillard's Dreams
Ethos and Style
- Modern Word-Painters: Dillard and Ruskin on Seeing
- Life in Every Inch: Detail in Pilgrim at Tinker Creek
- The Scope of the Natural
- Observing the Mantis
- "Shooting the Agate": Fine Prose and Nonfiction
- Sitting Under Anaphora Tree
- Dillard: humble child or wise sage?
- Looking over Dillard's Shoulder
- Lists, Lists and More Lists
- Neatness Counts
- Dillard's Scare Quotes
- Dillard's Web of Words
- Annie Dillard's Jumping Genres
- Dillard's Cat
- Technically Speaking . . . (Observing with Technology)
- Dillard Crosses The Paper Divide (addressing the reader)
- An Illuminated Pilgrim? (Imagery of light)
- Dillard's Fearful Fixed
Theme and Subject
- Patting the Puppy in the Paradoxical Present
- Reincarnating the Water Bug
- Sight and Seeing in Pilgrim at Tinker Creek
- Divine Sparks of Nature
- Dillard's Present Problem
- Annie Dillard as an Infant Puppy
- The Self as Instrument: Personal Boundaries in Pilgrim at Tinker Creek
- Writing is Seeing in Annie Dillard's Pilgrim at Tinker Creek
- Seeing is Unbelieving
- Up on Tinker Creek, she sends me
- Nurturing A Knowledge of Nature in Dillard's Pilgrim at Tinker Creek
- Dillard and People
- How Does Dillard Know How To "Pet the Puppy"?
- Talking with the Animals: Dillard, Doolittle, and the Puritan Aesthetic
- Dillard's scientific errors
- Dillard's Microcosmos of the extremely privileged
Literary Relations — Sources, Influences, Confluences
- The Pilgrim and Her Progress
- London Girls, Hollywood Murders and Tinker Creek Frogs: The Symbolical Grotesque in Wolfe, Didion and Dillard
- "I" Versus "They": The Textual and Communal Self in Three Female Autobiographers -- Didion, Suleri, and Dillard
- Defamiliarization and Renewing the Art of Perception in Thomas Carlyle, D.H. Lawrence, and Annie Dillard
Related Materials, including extebded essays on Dillard
- Itsy-Bitsy Annie Went Up the Water Spout: Sight, Gathering and Minutiae in Dillard's Nonfiction
- "Gone are the men and women of Dickens": Changing Ideas of Characterization in Fiction
Last modified 22 December 2007