William Burges was the son of a prosperous civil engineer; educated at King's College, London, and articled to Edward Blore in 1844. In 1849 he went into the office of Sir Matthew Digby Wyatt where he worked on drawings of mediaeval metalwork for Wyatt's large book, Metalwork, which appeared in 1852. In 1855 and 1856 Burges made prize-winning designs for Lille Cathedral and the Crimea Memorial Church in Constantinople, but neither building was carried out; his first important ecclesiastical design to be realised being St Fin Barre's Cathedral, Cork, which he began in 1862. In this same year with William Slater he devised the Mediaeval Court for the International Exhibition in London on behalf of the Ecclesiological Society with whom he had been involved since 1845; his knowledge of metalwork and mediaeval antiquities in general was greatly respected.
In his decorative work he tempered his expert knowledge with a quirky sense of humour, he said himself: "There are some people who . . . consider mediaeval art as eminently ecclesiastical, and therefore profoundly serious to be approached with caution, forgetting that mankind has been very much the some in every age, and that our ancestors joked and laughed as much as we do." This attitude is exemplified repeatedly in the ornamental details of his decorative work. Burges stamped his personality unmistakably on the commissions which he undertook for the Marquess of Bute at Cardiff Castle and in the designing of his own house in Melbury Road. — Architect-Designers from Pugin to Mackintosh
- St. Fin Barre's Cathedral, Cork, Ireland (15 views plus essay)
- All Saints, Fleet, Hampshire
- St Michael and All Angels, Brighton (major extension)
- St Mary, Studley Royal, Yorkshire
- Christ the Consoler, Skelton-on-Ure, Yorkshire
Homes for Rich and Very Rich
- Cardiff Castle
- The castle exterior
- The Winter Smoking Room
- The Arab Room and Banqueting Hall
- The Library
- Lord Bute's bedroom and bath
- The Day Nursery
- The Roof Garden
- Castell Coch
- Exterior, Banqueting Hall and Lady Margaret's Bedroom (12 views)
- Drawing Room, Lady Bute's Bedroom, and Other Features (12 views)
- Milton Court, Surrey (10 views plus essay)
- Nightshayes, near Tiverton, Devon
- Park House, Cardiff
- Tower House, London
- Design for the Law Courts, Strand, London (not built)
Monuments and Memorials
- Funerary monument for Charles Spencer Ricketts, Kensal Green Cemetery
- Unexecuted design for the Sabrina Fountain, Gloucester
Furniture, Ceramics, and other Design
Architect-Designers from Pugin to Mackintosh. Exhibition catalogue. London: The Fine Art Society with Haslam & Whiteway Ltd., 1981.
The Fine Art Society, London, has most generously given its permission to use information, images, and text from its catalogues in the Victorian Web. This generosity has led to the creation of hundreds and hundreds of the site's most valuable documents on painting, drawing, sculpture, furniture, textiles, ceramics, glass, metalwork, and the people who created them. The copyright on text and images from their catalogues remains, of course, with the Fine Art Society. [GPL]
Crook, J. Mordaunt. "Burges, Wiliam (1827-1881)." Oxford Dictionary of National Biography. Online ed. Viewed 23 August 2009.
Crook, J. Mordaunt.The Dilemma of Style: Architectural Ideas from the Picturesque to the Post-Modern. Chicago: University of Chicago Press, 1987.
Long, Helen. The Edwardian House: The Middle-Class Home in Britian, 1880-1914. Manchester: Manchester University Press, 1993.
Williams, Matthew. William Burges, 1827-81. Andover, Hants: Jarrold Publishing (Pitkin Guide), 2007.
Last modified 9 January 2012