Chair by Edward Welby Pugin

Chair

Edward Welby Pugin

c. 1855

33 1/2 inches (85 cm)

Oak

Provenance: The Convent of Mercy, Handsworth, Birmingham; Lent from a Private Collection

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Edward Welby Pugin, eldest son of A. W. N. Pugin, was trained by his father from an early age -- he claimed he helped in the aftice at the age of seven (see Who Was the Art Architect of the Houses of Parliament?, 1867, p.32). At the age of eighteen he had to toke over his father's large practice and had the task of completing all the unfinished work. He cloimed that he applied at this time to join the offices of Sir Charles Barry, but was refused. The younger Pugin became an immensely successful architect, in receipt of a large income which he dissipated in a series of court cases, the result of his tempestuous and litigious temperament. His practice consisted chiefly of designing churches; Pevsner considers his greatest work to be the Catholic Church of the City of Mary Immaculate (known as All Saints) at Barton-upon-lrwell, Lancs. (see The Buildings of England; South Lancashire, 1969, pp.74-75). His secular work included additions and alterations to Scarisbrick Hall, for Lady Hunloke (later Lady Scorisbrick) the sister of his fatheBs potron, Charles Scorisbrick. These designs, strongly influenced by flamboyant French Gothic, form a contrast to his futher's more severe stnuctural munner. — Architect-Designers from Pugin to Mackintosh

References

Architect-Designers from Pugin to Mackintosh. Exhibition catalogue. London: The Fine Art Society with Haslam & Whiteway Ltd., 1981. No. 5.

Last modified 27 July 2007