The Uncommercial Traveller. [Click on image to enlarge it.] Scanned image by Philip V. Allingham. Image correction, formatting, and caption by George P. Landow. [You may use this image without prior permission for any scholarly or educational purpose as long as you (1) credit the person who scanned the image and (2) link your document to this URL in a web document or cite the Victorian Web in a print one.]by Edward G. Dalziel. Wood engraving of a working-class family picnic. From Dickens's
As Dickens travels by carriage through Kent from London on his way to the Continent on the high-road between Gravesend and Rochester, he (or his persona, the Uncommercial Traveller) briefly records his momentary impressions of agricultural scenes in fertile Kent, including the hop gardens for which the county is still renowned. However, a more likely scene, involving mending a cane chair with osiers, which is likely the basis for Dalziel's frontispiece occurs in chapter eleven, "Tramps," set in the county of Surrey in the autumn:
Then, there are the tramp handicraft men. Are they not all over England, in this Midsummer time? Where does the lark sing, the corn grow, the mill turn, the river run, and they are not among the lights and shadows, tinkering, chair-mending, umbrella-mending, clock-mending, knife-grinding? Surely, a pleasant thing, if we were in that condition of life, to grind our way through Kent, Sussex, and Surrey. For the worst six weeks or so, we should see the sparks we ground off, fiery bright against a background of green wheat and green leaves. A little later, and the ripe harvest would pale our sparks from red to yellow, until we got the dark newly-turned land for a background again, and they were red once more. By that time, we should have ground our way to the sea cliffs, and the whirr of our wheel would be lost in the breaking of the waves. Our next variety in sparks would be derived from contrast with the gorgeous medley of colours in the autumn woods, and, by the time we had ground our way round to the heathy lands between Reigate and Croydon, doing a prosperous stroke of business all along, we should show like a little firework in the light frosty air, and be the next best thing to the blacksmith's forge. Very agreeable, too, to go on a chair-mending tour. What judges we should be of rushes, and how knowingly (with a sheaf and a bottomless chair at our back) we should lounge on bridges, looking over at osier-beds! 
Dickens, Charles. The Uncommercial Traveller. Il. E. G. Dalziel. The Household Edition. London: Chapman and Hall, 1877.
Scenes and Characters from the Works of Charles Dickens; being eight hundred and sixty-six drawings, by Fred Barnard, Hablot Knight Browne (Phiz); J. Mahoney; Charles Green; A. B. Frost; Gordon Thomson; J. McL. Ralston; H. French; E. G. Dalziel; F. A. Fraser, and Sir Luke Fildes; printed from the original woodblocks engraved for "The Household Edition." New York: Chapman and Hall, 1908. Copy in the Robarts Library, University of Toronto.
Last modified 8 February 2013