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Grand procession to Windsor Castle
W. A. Delamotte
1842
Wood-engraving
17.2 x 9.6 cm, framed
Initial Delamotte illustration for W. Harrison Ainsworth's Windsor Castle. An Historical Romance, first published in the June 1842 number of Ainsworth's Magazine; volume, p. 1.
[Click on image to enlarge it.]
Scanned image and text by Philip V. Allingham.
Then came a sergeant-of-arms bearing a great mace of silver, and two gentlemen carrying each a pillar of silver. Next rode a gentleman carrying the cardinal's hat, and after him came Wolsey himself, mounted on a mule trapped in crimson velvet, with a saddle covered with the same stuff, and gilt stirrups. His large person was arrayed in robes of the finest crimson satin engrained, and a silk cap of the same colour contrasted by its brightness with the pale purple tint of his sullen, morose, and bloated features. The cardinal took no notice of the clamour around him, but now and then, when an expression of dislike was uttered against him, for he had already begun to be unpopular with the people, he would raise his eyes and direct a withering glance at the hardy speaker. But these expressions were few, for, though tottering, Wolsey was yet too formidable to be insulted with impunity. On either side of him were two mounted attendants, each caring a gilt poleaxe, who, if he had given the word, would have instantly chastised the insolence of the bystanders, while behind him rode his two cross-bearers upon homes trapped in scarlet.
Wolsey's princely retinue was followed by a litter of crimson velvet, in which lay the pope's legate, Cardinal Campeggio, whose infirmities were so great that he could not move without assistance. Campeggio was likewise attended by a numerous train.
After a long line of lords, knights, and esquires, cameHenry the Eighth. He was apparelled in a robe of crimson velvet furred with ermines, and wore a doublet of raised gold, the placard of which was embroidered with diamonds, rubies, emeralds, large pearls, and other precious stones. About his neck was a baldric of balas rubies, and over his robe he wore the collar of the Order of the Garter. His horse, a charger of the largest size, and well able to sustain his vast weight, was trapped in crimson velvet, purfled with ermines. His knights and esquires were clothed in purple velvet, and his henchmen in scarlet tunics of the same make as those worn by the warders of the Tower at the present day. ["Book the First: Anne Boleyn," Chapter III, "Of the Grand Procession to Windsor Castle — Of the Meeting of King Henry the Eighth and Anne Boleyn at the Lower Gate; Of their Entrance into the Castle; And how the Butcher was Hanged from the Curfew Tower," pp. 27-28]
Above: The first of Johannot's painterly realisations of the early scenes in the novel, The Meeting of Henry the Eighth and Anne Boleyn (August 1842). [Click on the image to enlarge it.]
Ainsworth, William Harrison. Windsor Castle. An Historical Romance. Illustrated by George Cruikshank and Tony Johannot. With designs on wood by W. Alfred Delamotte. London: Routledge, 1880. Based on the Henry Colburn edition of 1844.
Patten, Robert L. Chapter 30, "The 'Hoc' Goes Down." George Cruikshank's Life, Times, and Art, vol. 2: 1835-1878. Rutgers, NJ: Rutgers U. P., 1991; London: The Lutterworth Press, 1996. Pp. 153-186.
Worth, George J. William Harrison Ainsworth. New York: Twayne, 1972.
Last modified 4 December 2017