Biography

"Laurence Housman, one of the most innovative or influential of the 1890s, in a brief career of less than ten years, created some of the most striking black and white illustrations of the period. His original meticulously drawn pen and ink drawings remain rare today. His first sucsess was his illustrated edition of Christina Rossetti's Goblin Market. This work is now considered Housman's masterpiece. Housman's illustrations and decorations were innovative attempts at creating from his self-professed 'Freakish imagination'" (Fairy Folk).

Another poem which I illustrated about this time Christina Rossetti's Goblin Market, I did of my own choice, author and publisher consenting. But this time I did not satisfy the person who mattered most. I had hoped to get word that my drawings had pleased her; but the only comment that reached me was her answer to a congratulating friend who liked them. She shook her head, saying, I don't think my Goblins were quite so ugly.

From another quarter they brought me better encour agement. Sir Frederick Leighton, who as official head of English Academic art, kept a fatherly eye on new arrivals, sent me a letter of appreciation, and asked if I would do a drawing for him. Eventually he chose my title-page design to Goblin Market, saying that what struck him most in my work was the combination of figures with decoration. After Leighton came Aubrey Beardsley, asking me to do a drawing for The Yellow Book.

From that time on, I did a good deal of work for John Lane, the publisher most closely identified with the movement of the Nineties, on which he built up his business. — Laurence Housman, The Unexpected Years

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Illustrations for Christina Rossetti's Goblin Market

Illustrations for Jean Barlow's The End of Elfintown

Illustrations for Housman's The Blue Moon

Illustrations for Shelley's The Sensitive Plant

Illustrations for Housman's own The Field of Clover

Illustrations for Housman's own Green Arras

Illustrations for Housman's own The House of Joy

Related Material

Bibliography

Fairy Folk in Fairy Land. London: Peter Naham at Leicester Galleries, 1997.

Peppin, Brigid. Fantasy: The Golden Age of Fantastic Illustration. New York: New American Library, 1976. (Also Watson-Guptill, 1975.)

Wild, Jonathan. “A loosening of silk ribbons: Laurence Housman, John Murray, and the publishing sensation of 1900.” Times Literary Supplement (November 2, 2012): 14-15.


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Last modified 19 November 2012