The Dancing School by "Phiz" (Hablot Knight Browne) for Bleak House (1853), p. 134. 4 /18 x 7 1/4 inches. For text illustrated, see below. Image scan and text by George P. Landow. [You may use this image without prior permission for any scholarly or educational purpose as long as you (1) credit the person who scanned the image and (2) link your document to this URL in a web document or cite the Victorian Web in a print one. ]

Prince Turveydrop then tinkled the strings of his kit with his fingers, and the young ladies stood up to dance. Just then there appeared from a side-door old Mr. Turveydrop, in the full lustre of his deportment.

He was a fat old gentleman with a false complexion, false teeth, false whiskers, and a wig. He had a fur collar, and he had a padded breast to his coat, which only wanted a star or a broad blue ribbon to be complete. He was pinched in, and swelled out, and got up, and strapped down, as much as he could possibly bear. He had such a neckcloth on (puffing his very eyes out of their natural shape), and his chin and even his ears so sunk into it, that it seemed as though he must inevitably double up if it were cast loose. He had under his arm a hat of great size and weight, shelving downward from the crown to the brim, and in his hand a pair of white gloves with which he flapped it as he stood poised on one leg in a high-shouldered, round-elbowed state of elegance not to be surpassed. He had a cane, he had an eye-glass, he had a snuff-box, he had rings, he had wristbands, he had everything but any touch of nature; he was not like youth, he was not like age, he was not like anything in the world but a model of deportment. [Project Gutenberg etext (see bibliography below)]


Dickens, Charles. Bleak House. London: Bradbury & Evans. Bouverie Street, 1853.

Dickens, Charles. Bleak House. Project Gutenberg etext prepared by Donald Lainson, Toronto, Canada (, with revision and corrections by Thomas Berger and Joseph E. Loewenstein, M.D. Seen 9 November 2007.

Last modified 12 November 2007