Bleak House, p. 254 (ch. 24, "An Appeal case"). 6 x 3 3/8 inches. For text illustrated, see below. Image scan, caption, and commentary by George P. Landow. [You may use this image without prior permission for any scholarly or educational purpose as long as you (1) credit the person who scanned the image and (2) link your document to this URL in a web document or cite the Victorian Web in a print one. ]by "Phiz" (Hablot Knight Browne) for
Phiz here beautifully captures one of Dickens's oily Evangelical clergymen. From the begining of his career, the novelist presents Evangelicals preying upon women, and although Chadband is not quite as despicable as Stiggins from the Pickwick Papers, since he does not appear as an alcoholic cadging food and drink from a poor family, his combination of self-satisfaction, clichés, and rhetorical questions makes his preaching to Jo particularly despicable. Bleak House contrasts the hypocritical self-serving false religiosity of Chadband with the truer Christianity of both Esther and Woodcourt.
Jo, whom Chadband makes the target of his preaching in this passage illustrated by this plate, has the last word on the preacher and many missionaries to the poor: after Woodcourt asks the dying boy, "Did you ever know a prayer?" Jo responds
"No, sir. Nothink at all. Mr. Chadbands he wos a-prayin wunst at Mr. Sangsby's and I heerd him, but he sounded as if he wos a- speakin to hisself, and not to me. He prayed a lot, but I couldn't make out nothink on it. Different times there was other genlmen come down Tom-all-Alone's a-prayin, but they all mostly sed as the t'other 'wuns prayed wrong, and all mostly sounded to be a-talking to theirselves, or a-passing blame on the t'others, and not a- talkin to us. WE never knowd nothink. I never knowd what it wos all about." [ch. 46, "Jo's Will"]
Dickens, I should add, does not seem to criticize Evangelical Anglicans — that is, Evangelicals within the establshed Church — and he claimed "one of my most constant and most earnest endeavours has been to exhibit in all my good people some faint reflections of our great Master, and unostentatiously to lead the reader up to those teachings as the great source of all moral goodness. All my strongest illustrations are drawn from the New Testament; all my social abuses are shown as departures from its spirit; all my good people are humble, charitable, faithful, and forgiving" (Letter to Reverend D. Macrae).
"Peace, my friends," says Chadband, rising and wiping the oily exudations from his reverend visage. "Peace be with us! My friends, why with us? Because," with his fat smile, "it cannot be against us, because it must be for us; because it is not hardening, because it is softening; because it does not make war like the hawk, but comes home unto us like the dove. Therefore, my friends, peace be with us! My human boy, come forward!"
Stretching forth his flabby paw, Mr. Chadband lays the same on Jo's arm and considers where to station him. Jo, very doubtful of his reverend friend's intentions and not at all clear but that something practical and painful is going to be done to him, mutters, "You let me alone. I never said nothink to you. You let me alone."
"No, my young friend," says Chadband smoothly, "I will not let you alone. And why? Because I am a harvest-labourer, because I am a toiler and a moiler, because you are delivered over unto me and are become as a precious instrument in my hands. My friends, may I so employ this instrument as to use it to your advantage, to your profit, to your gain, to your welfare, to your enrichment! My young friend, sit upon this stool." . . .
It happens that Mr. Chadband has a pulpit habit of fixing some member of his congregation with his eye and fatly arguing his points with that particular person, who is understood to be expected to be moved to an occasional grunt, groan, gasp, or other audible expression of inward working, which expression of inward working, being echoed by some elderly lady in the next pew and so communicated like a game of forfeits through a circle of the more fermentable sinners present, serves the purpose of parliamentary cheering and gets Mr. Chadband's steam up. From mere force of habit, Mr. Chadband in saying "My friends!" has rested his eye on Mr. Snagsby and proceeds to make that ill-starred stationer, already sufficiently confused, the immediate recipient of his discourse.
"We have here among us, my friends," says Chadband, "a Gentile and a heathen, a dweller in the tents of Tom-all-Alone's and a mover-on upon the surface of the earth. We have here among us, my friends," and Mr. Chadband, untwisting the point with his dirty thumb-nail, bestows an oily smile on Mr. Snagsby, signifying that he will throw him an argumentative back-fall presently if he be not already down, "a brother and a boy. Devoid of parents, devoid of relations, devoid of flocks and herds, devoid of gold and silver and of precious stones. Now, my friends, why do I say he is devoid of these possessions? Why? Why is he?" Mr. Chadband states the question as if he were propounding an entirely new riddle of much ingenuity and merit to Mr. Snagsby and entreating him not to give it up [Project Gutenberg etext (see bibliography below)]
Dickens, Charles. Bleak House. London: Bradbury & Evans. Bouverie Street, 1853.
Dickens, Charles. Bleak House. Project Gutenberg etext prepared by Donald Lainson, Toronto, Canada (firstname.lastname@example.org), with revision and corrections by Thomas Berger and Joseph E. Loewenstein, M.D. Seen 9 November 2007.
Last modified 12 November 2007