"Miss Tox pays a visit to the Toodle Family" by "Phiz" — twenty-fourth serial illustration for "Dombey and Son" (September 1847)

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Miss Tox pays a visit to the Toodle Family

Phiz (Hablot K. Browne)

steel-engraving

12 cm by 10.5 com

September 1847 (instalment 12)

Etching

Dickens's Dombey and Son, ch. 38, facing p. 123 in vol. 2 (1880)

Image scan by Philip V. Allingham.

[You may use this image without prior permission for any scholarly or educational purpose as long as you (1) credit the person who scanned the image, and (2) link your document to this URL in a web document or cite the Victorian Web in a print one.]

Passage Illustrated: Small-talk in a working-class parlour

"How do you do, Mrs. Richards?" said Miss Tox. "I have come to see you. May I come in?"

The cheery face of Mrs. Richards shone with a hospitable reply, and Miss Tox, accepting the proffered chair, and grab fully recognising Mr. Toodle on her way to it, untied her bonnet strings, and said that in the first place she must beg the dear children, one and all, to come and kiss her.

The ill-starred youngest Toodle but one, who would appear, from the frequency of his domestic troubles, to have been born under an unlucky planet, was prevented from performing his part in this general salutation by having fixed the sou’wester hat (with which he had been previously trifling) deep on his head, hind side before, and being unable to get it off again; which accident presenting to his terrified imagination a dismal picture of his passing the rest of his days in darkness, and in hopeless seclusion from his friends and family, caused him to struggle with great violence, and to utter suffocating cries. Being released, his face was discovered to be very hot, and red, and damp; and Miss Tox took him on her lap, much exhausted.

"You have almost forgotten me, Sir, I daresay," said Miss Tox to Mr. Toodle.

"No, Ma’am, no," said Toodle. "But we’ve all on us got a little older since then."

"And how do you find yourself, Sir?" inquired Miss Tox, blandly.

"Hearty, Ma’am, thank’ee," replied Toodle. "How do you find yourself, Ma’am? Do the rheumaticks keep off pretty well, Ma’am? We must all expect to grow into ‘em, as we gets on."

"Thank you," said Miss Tox. "I have not felt any inconvenience from that disorder yet." [Chapter XXXVIII, "Miss Tox improves an Old Acquaintance," vol. II, 123]

Commentary

Dickens and Phiz use the working-class Toodles as a sharp contrast in sentiment and domestic harmony to the emotionally cold Dombey and his fractious second-wife. In the industrial era of the British Empire, Dombey the Merchant-Prince and Toodle the locomotive engineer exemplify the opposite ends of the social spectrum. They are connected through the genial wet-nurse Polly, who is referred to in the Dombey menage as "Richards" solely because the upper-middle class family finds the name "Toodle" ridiculous. Phiz uses this illustration to showcase the generous and genial dispositions of the working-class couple and their numerous brood, which includes the street-wise object of Mr. Dombey's charity, Rob the Grinder.

Related Material, including Other Illustrated Editions of Dombey and Son

Dombey and Son (homepage)
Felix Octavius Carr Darley's Captain Cuttle . . . too his own [watch] down from the mantel-shelf for Volume 4 of Dombey and Son, Wholesale Retail & for Exportation, 1862
Fred Barnard's 61 Illustrations for Dombey and Son, 1877
Groome's illustrations of the Collins Pocket Edition of Dombey and Son (1900, rpt. 1934)
Kyd's five Player's Cigarette Cards for Dombey and Son, 1910
Harry Furniss's twenty-nine illustrations for Dombey and Son, Wholesale Retail & for Exportation (1910)

Bibliography

Dickens, Charles. Dombey and Son. With illustrations by H. K. Browne. The illustrated library Edition. 2 vols. London: Chapman and Hall, c. 1880.

__________. Dombey and Son. Illustrated by Hablot K. Browne ("Phiz"). 8 coloured plates. London and Edinburgh: Caxton and Ballantyne, Hanson, 1910.

__________. Dombey and Son. Illustrated by Hablot K. Browne ("Phiz"). The Clarendon Edition, ed. Alan Horsman. Oxford: Clarendon, 1974.

__________. Dombey and Son. Illustrated by Sol Eytinge, Jr., and engraved by A. V. S. Anthony. 14 vols. Boston: Ticknor & Fields, 1867. III.

__________. Dombey and Son. Illustrated by Fred Barnard. 61 wood-engravings. The Household Edition. 22 vols. London: Chapman and Hall, 1877. XV.

_________. Dealings with the Firm of Dombey and Son: Wholesale, Retail, and for Exportation. Illustrated by Harry Furniss. The Charles Dickens Library Edition. London: Educational Book Company, 1910. IX.

Hammerton, J. A. "Chapter 16: Dombey and Son."The Dickens Picture-Book. The Charles Dickens Library Edition.Illustrated by Harry Furniss. 18 vols. London: Educational Book Co., 1910. Vol. 17, 294-337.

Kitton, Frederic George. Dickens and His Illustrators: Cruikshank, Seymour, Buss, "Phiz," Cattermole, Leech, Doyle, Stanfield, Maclise, Tenniel, Frank Stone, Landseer, Palmer, Topham, Marcus Stone, and Luke Fildes. Amsterdam: S. Emmering, 1972. Re-print of the London (1899) edition.

Lester, Valerie Browne. Ch. 12, "Work, Work, Work." Phiz: The Man Who Drew Dickens. London: Chatto and Windus, 2004, pp. 128-160.

Steig, Michael. Chapter 4. "Dombey and Son: Iconography of Social and Sexual Satire." Dickens and Phiz. Bloomington & London: Indiana U. P., 1978. 86-112.

Vann, J. Don. Chapter 4."Dombey and Son, twenty parts in nineteen monthly installments, October 1846-April 1848." Victorian Novels in Serial. New York: Modern Language Association, 1985. 67-68.

Created 8 August 2015 Last modified 6 February 2021