"He has come out," said little Mr. Perker, greatly excited; the more so as their position did not enable them to see what was going forward. by Phiz (Hablot K. Browne). Household Edition (1874) of Dickens's Pickwick Papers, p. 86. [Click on this image and those below to enlarge them.]

The Election at Eatanswill The Election at Eatanswill

Left: The Election at Eatanswill -- the 1834 illustration by Phiz. Right: Thomas Nast's 1870 illustration, "He's kissing 'em all!""

Although the nature of elections in support of British parliamentary democracy must have become somewhat less adversarial, corrupt, and raucous between 1834 (the date of the Sudbury by-election covered by young reporter Charles Dickens) and the 1870s, Phiz merely reprised the 1836 engraving"The Election at Eatanswill" (Part 5: August 1836) for his 1873 woodcut for the British Household Edition. However, instead of celebrating the Hogarthian mob-mentality of the contest between the Buffs (Whigs) and Blues (Tories), Phiz like his American counterpart, Thomas Nast, chose to focus instead on the candidates' patting children on their heads and kissing babies to win their mothers' goodwill and their fathers' votes in "He has come out," said little Mr. Perker, greatly excited; the more so as to their position did not enable them to see what was going forward. [Page 81] and "He's kissing 'em all!" [Page 81] respectively. Whereas Phiz's Slumkey seems to have some tender regard for the infant he is about to kiss (centre), Nast's great-coated politician holds aloft a frightened toddler. The comparable juxtaposition of the candidates, the crowd — more raucous in the American version, more benign in the British — as a backdrop, and in particular an almost identical positioning of the sign "Slumkey for ever" (left rear) suggests that one artist was copying the other's work. The instigator of this electoral strategy for Samuel Slumkey is none other than than attorney Perker, who had negotiated earlier with Jingle at the White Hart in the Borough (Southwark) on behalf of Mr. Wardle. We may assume that, since neither Pickwick nor his comrades appear in either illustration, the perspective from which we see each scene is theirs:

‘Nothing has been left undone, my dear sir — nothing whatever. There are twenty washed men at the street door for you to shake hands with; and six children in arms that you’re to pat on the head, and inquire the age of; be particular about the children, my dear sir — it has always a great effect, that sort of thing."

"I’ll take care," said the Honourable Samuel Slumkey.

"And, perhaps, my dear Sir," said the cautious little man, "perhaps if you could — I don’t mean to say it’s indispensable — but if you could manage to kiss one of 'em, it would produce a very great impression on the crowd."

"Wouldn't it have as good an effect if the proposer or seconder did that?" said the Honourable Samuel Slumkey.

"Why, I am afraid it wouldn't," replied the agent; "if it were done by yourself, my dear Sir, I think it would make you very popular."

"Very well," said the Honourable Samuel Slumkey, with a resigned air, "then it must be done. That's all."

"Arrange the procession," cried the twenty committee-men.

Amidst the cheers of the assembled throng, the band, and the constables, and the committee-men, and the voters, and the horsemen, and the carriages, took their places — each of the two-horse vehicles being closely packed with as many gentlemen as could manage to stand upright in it; and that assigned to Mr. Perker, containing Mr. Pickwick, Mr. Tupman, Mr. Snodgrass, and about half a dozen of the committee besides.

There was a moment of awful suspense as the procession waited for the Honourable Samuel Slumkey to step into his carriage. Suddenly the crowd set up a great cheering.

"He has come out," said little Mr. Perker, greatly excited; the more so as their position did not enable them to see what was going forward.

Another cheer, much louder.

"He has shaken hands with the men," cried the little agent.

Another cheer, far more vehement.

"He has patted the babies on the head," said Mr. Perker, trembling with anxiety.

A roar of applause that rent the air.

"He has kissed one of 'em!" exclaimed the delighted little man.

A second roar.

"He has kissed another," gasped the excited manager.

A third roar.

"He's kissing 'em all!’" screamed the enthusiastic little gentleman, and hailed by the deafening shouts of the multitude, the procession moved on. [chapter 13, page 86 in the Chapman & Hall edition, page 80 in the Harper & Brothers' edition]

Apparently a politician's kissing babies was then not quite so great a cliché. The massive presence of young women, none of whom could vote even in the 1870s, at first glance would seem an anomaly to a modern reader; however, as Perker has explained to Pickwick earlier in the election chapter, the way to securing the votes of the male electors lay through their wives and children — indeed, the Honourable Slumkey's re-election committee has already bribed forty-five women with green parasols. Now Slumkey must must the ultimate political gesture: kiss every baby presented to him. And Phiz has given us seven infants, four young children, and eleven young women, whereas the adult males in the crowd near the Town Arms (for which Nast has incorporated the sign in his design) number a mere nine, exclusive of the child-patting candidate (centre) himself. Processional signs in both Household Edition illustrations proclaim, "Slumkey forever," although Phiz's sign is missing the "for" (upper left) and the name "Slumkey" has been divided, with humorous effect. The shaggy hairstyles, disreputable hats, smock-frocks and aprons of "bully-boy" Slumkey adherents (left) in Nast's illustration together with the prominence of the sign "Town Arms" in the background (left) recalls the suborned bar-maid's spiking with laudanum the brandy-and-water of fourteen unpolled electors in the previous Eatanswill election, an anecdote that Sam Weller recounted to Pickwick before breakfast that day.

Although Phiz sided with young Dickens, who was very much a Radical in the early 1830s, supporting the Great Reform Bill of Lord John Russell in 1832, Nast was a virulent opponent of governmental corruption, the New York Democratic party machine, and the Tammany Hall political clique, as well as an anti-slavery proponent (and therefore a staunch Republican). Consequently, both Household Edition illustrations take a dim view of traditional political shenanigans and "dirty tricks."

Related Material

Scanned image and text by Philip V. Allingham. Formatting by George P. Landow. [You may use these images without prior permission for any scholarly or educational purpose as long as you (1) credit the photographer and (2) link your document to this URL in a web document or cite the Victorian Web in a print one.]

References

Dickens, Charles. Pickwick Papers. The Household Edition. London: Chapman and Hall, 1874; New York: Harpers, 1874.


Victorian Web Overview Victorian Book Illustration Charles Dickens Phiz (Hablot K. Browne) Next

Last modified 9 March 2012