"The Real and the Ideal"
Edmund J. Sullivan
Sartor Resartus, Page 307
This illustration, which repeats Sullivan's juxtaposition of the ancient and modern Adams and Eves, brilliantly captures Carlyle's satirical and serious points about clothing as symbol, social reality, distortion, truth, and lie.
The frank realism of the nude woman and the fact that her proximity to her dress makes her appear naked (and not "nude" or artistically distanced) makes this a late-Victorian or early-modern illustration that would not have been acceptable to Carlyle's contemporaries.
Scanned image and text by George P. Landow
[You may use this image without prior permission for any scholarly or educational purpose as long as you (1) credit the person who scanned the image and (2) link your document to this URL in a web document or cite the Victorian Web in a print one. ]