If the window was symbolic, in romantic portraits, of the divided self, the meeting between interior and exterior realities, then the stained glass window was perhaps the epitome of Victorian romanticism, more serious and sacred than the Georgian. Set at the meeting point of material and immaterial worlds, as a body is animated by the soul, so the visible glass is animated by invisible and unreflected light. — Rosemary Hill, God's Architect: Pugin and the Building of Romantic Britain (London: Penguin, 2008), p. 326.
Artist-Designers
- Ford Madox Brown
- William Burges
- Sir Edward Burne-Jones
- Harry Clarke
- Walter Crane
- John Henry Dearle
- W. F. Dixon
- Alfred East
- Alexander Gascoyne
- Charles Hardgrave
- John Hardman & Co.
- George Hedgeland
- Henry Holiday
- Charles Eamer Kempe
- H. W. Lonsdale
- William Morris
- A.K. Nicholson
- Michael O'Connor and Sons
- G. and Eve Ostrehan
- Edward Arthur Fellowes Prynne
- Augustus Welby Pugin
- William Blake Richmond
- T. R. Spence
- Martin Travers
- William Wailes
- Philip Webb
- N. H. J. Westlake
- Unidentified Artists
Manufacturers
- Bell & Beckham
- Clayton & Bell
- Heaton, Butler and Bayne
- James Powell & Sons, Whitefriars
- Ward and Campbell Brothers, Belfast
Domestic Stained Glass
- Stained Glass and Gaslight
- Windows (designers unknown)
- Four portraits from the childhood home of John Galsworthy
- Stained Glass at Horace Walpole's Strawberry Hill
Commentary
Related web resources
Last modified 20 November 2014