[The following excerpt from The Victorian Age in Literature is based on Project Gutenberg's EBook #18639, which Karina Aleksandrova, Juliet Sutherland and the Online Distributed Proofreading Team at http://www.pgdp.net produced.George P. Landow formatted the text and added links to other material in the Victorian Web]
In substance Macaulay accepted the conclusions of Bentham; though he offered brilliant objections to all his arguments. In any case the soul of Bentham (if he had one) went marching on, like John Brown; and in the central Victorian movement it was certainly he who won. John Stuart Mill was the final flower of that growth. He was himself fresh and delicate and pure; but that is the business of a flower. Though he had to preach a hard rationalism in religion, a hard competition in economics, a hard egoism in ethics, his own soul had all that silvery sensitiveness that can be seen in his fine portrait by Watts. He boasted none of that brutal optimism with which his friends and followers of the Manchester School expounded their cheery negations. There was about Mill even a sort of embarrassment; he exhibited all the wheels of his iron universe rather reluctantly, like a gentleman in trade showing ladies over his factory. There shone in him a beautiful reverence for women, which is all the more touching because, in his department, as it were, he could only offer them so dry a gift as the Victorian Parliamentary Franchise.
- Macaulay's “noble enduring quality in our literature” — his passion for history
- Macaulay begins the Victorian Age
Chesterton, G (ilbert) K(eith). The Victorian Age in Literature. London: Butterworth: 1913. New York: Henry Holt and Co, 1913.
Last modified 31 December 2010