Auden, W. H. "Dingley Dell and the Fleet," in The Dyer's Hand and Other Essays. New York: Random House, 1962, 407-28.

Axton, William F. "'Keystone' Structure in Dickens Serial Novels," University of Toronto Quarterly, 1967, 37, 31-50. ---"Unity and Coherence in the Pickwick Papers," Studies in English Language, 1965, 5, 663-76.

Bartlett, Lynn C. "High Life Below Stairs or Cribbage in the Kitchen," English Language Notes, 1985, 23, 54-61.

Bevington, David M. "Seasonal Relevance in The Pickwick Papers," Nineteenth-Century Fiction, 1961, 16, 219-30.

Carey, John. The Violent Effigy: A Study of Dickens' Imagination. London, Faber and Faber 1973.

Chase, Karen. Eros and Psyche: The Representation of Personality in Charlotte Brontë, Charles Dickens, and George Eliot. New York: Methuen, 1984.

Chesterton, G. K. Appreciations and Criticisms of the Works of Charles Dickens. London: J. M. Dent, 1911.

_____. Charles Dickens, London: Methuen, 1906.

Chittick, Kathryn. Dickens and the 1830's. Cambridge, Cambridge University Press, 1990.

_____. "Pickwick Papers and the Sun, 1833-1836," Nineteenth-Century Fiction 39 (1984): 328-35.

Cohen, Jane R. Charles Dickens and his Original Illustrators. Columbus: Ohio State University Press, 1980.

Collins, Philip. Dickens and Crime. London: Macmillan, 1962.

Colwell, Mary. "Organization in Pickwick Papers," Dickens Studies 3 (1967): 90-110.

Coolidge, Archibald C. Jr. Charles Dickens as Serial Novelist. Ames: Iowa State University Press, 1967.

Cotsell, Michael. "The Pickwick Papers and Travel: A Critical Diversion," Dickens Quarterly 3 (1986): 3, 5-17.

Daleski, H. M. Dickens and the Art of Analogy. New York: Schocken, 1970.

Daniels, Steven V. "Pickwick and Dickens: Stages of Development," Dickens Studies Annual 4 (1975): 56-77.

Davies, James A. '. London: Macmillan Press, 1989.

Easson, Angus. "Imprisonment for Debt in Pickwick Papers," Dickensian 64 (1968): 105-12.

Edgecombe, Rodney Stenning. "Comic Hypotheses in The Pickwick Papers." Dickens Quarterly 7 (1990): 359-370.

Eigner, Edwin M. The Metaphysical Novel in England and America: Dickens, Bulwer, Melville, and Hawthorne, Berkeley: University of California Press, 1978

Engel, Elliot and Margaret F. King. "Pickwick's Progress: "The Critical Reception of The Pickwick Papers from 1836-1986," Dickens Quarterly 3 (1986): 56-66.

Feltes, N. N. "The Moment of Pickwick, or the Production of a Commodity Text," Literature and History: A Journal for the Humanities 10 (1984): 203-217. Rpt. in Modes of Production of Victorian Novels. Chicago: University of Chicago Press, 1986.

Fielding, K. J. "Pickwick Papers and After," in Charles Dickens: A Critical Introduction. London: Longmans, Green, 1965, 13-25.

Ford, George. "The Prospering of Pickwick," in Dickens and His Readers: Aspects of Novel-Criticism Since 1836. Princeton: Princeton University Press, 1955, 3-19.

Frye, Northrop. "Dickens and the Comedy of Humors," in, Roy Harvey Pierce, ed. Experience in the Novel New York: Columbia University Press, 1968, 49-81.

Ganz, Margaret. "Pickwick Papers: Humor and the Refashioning of Reality," Dickens Studies Annual 4 (1975): 36-55.

Gill, Stephen C. "Pickwick Papers and the 'Chroniclers by the Line': A Note on Style," Modern Language Review 63 (1968): 33-36.

Gold, Joseph. "'The First Ray of Light': The Pickwick Papers," in Charles Dickens: Radical Moralist. Minneapolis: University of Minnesota Press, 1972, 12-24.

Hardy, Barbara. "Dickens's Storytellers," Dickensian 69 (1973): 71-78.

_____. "Pickwick Papers," in The Moral Art of Dickens. New York: Oxford University Press, 1970, 81-99.

Harris, Jean. "But He Was His Father: The Gothic and the Impostorius in Dickens's The Pickwick Papers," in Maurice Charney and Joseph Reppen, eds., Psychoanalytic Approaches to Literature and Film. Rutherford, NJ: Farleigh Dickinson University Press, 1987, 69-79.

Harvey, John. Victorian Novelists and Their Illustrators. New York: New York University Press, 1971.

Hennelly, Mark M. Jr. "Dickens's Praise of Folly: Play in The Pickwick Papers," Dickens Quarterly 3 (1986): 27-46.

Herbert, Christopher. "Converging Worlds in Pickwick Papers," Nineteenth-Century Fiction 27 (1972): 1-20.

Herzog, Tobey C. "The Merry Circle of The Pickwick Papers: A Dickensian Paradigm," Studies in the Novel 20 (1988): 55-63.

Hill, T. W. "Notes on The Pickwick Papers," Dickensian 44 (1947-48): 29-36.

Kaplan, Fred. "Pickwick's 'Magnanimous Revenge': Reason and Responsibility in the Pickwick Papers," Victorian Newsletter 37 (Spring 1970): 18-21.

Karl, Frederick R. "Charles Dickens: The Victorian Quixote," in Age of Fiction: The Nineteenth Century British Novel. New York: Farrar, Straus and Giroux, 1964, 109-29.

Killham, John."Pickwick: Dickens and the Art of Fiction," in John Gross and Gabriel Pearson, eds. Dickens and the Twentieth Century, Toronto: University of Toronto Press, 1962, 35-47.

Kincaid, James R. "The Pickwick Papers: The Vision from the Wheelbarrow," in, Dickens and the Rhetoric of Laughter Oxford: The Clarendon Press, 1971, 20-49.

Levy, H. M. and William Ruff. "The Interpolated Tales in Pickwick Papers, a Further Note," Dickens Studies 3 (1967): 122-25.

Lougy, Robert E. "Pickwick and 'The Parish Clerk'," Nineteenth-Century Fiction (1970): 251-4.

Lucas, John. "The Pickwick Papers," in The Melancholy Man: A Study of Dickens's Novels. London: Methuen, 1970, 1-20.

Manning, Sylvia B. "Satiric Vision: Pickwick Papers to Barnaby Rudge," in Dickens as Satirist. New Haven: Yale University Press, 1971,41-51.

Marcus, Steve. "The Blest Dawn," in Dickens: From Pickwick to Dombey. New York: Basic Books, 1965, 13-53.

Marcus, Steven. "Language into Structure: Pickwick Revisited," Daedalus 101 (1972): 183-202.

Marlow, James E. "Pickwick's Writing: Propriety and Language," ELH 52 (1985): 939-63.

_____. "Popular Culture, Pugilism, and Pickwick," Journal of Popular Culture 15 (1982): 16-30.

McMaster, Juliet. "Visual Design in Pickwick Papers." Studies in English Language 23 (1983): 595-614, Rpt. in Dickens the Designer. Totowo, NJ: Barnes and Noble Books, 1987.

Miller, J. Hillis. "Pickwick Papers," in Charles Dickens: The World of His Novels. Cambridge, Mass.: Harvard University Press, 1958, 1-35.

Monod, Sylvère. "Pickwick, or Triumphant Improvisation," in Dickens the Novelist. Norman: University of Oklahoma Press, 1968, 83-115.

Musselwhite, David E. Partings Welded Together. London and New York: Methuen, 1987.

Parker, David. "Mr. Pickwick and the Horses," in Dickensian, 1989, 85, 82-98.

Patten, Robert L. "The Art of Pickwick's Interpolated Tales," ELH 34 (1967): 349-66.

_____. "Boz, Phiz, and Pickwick in the Pound," ELH, 36 (1969): 575-91.

_____. Charles Dickens and His Publishers. Santa Cruz, CA: The Dickens Project, 1991.

_____. "I Thought of Mr. Pickwick, and Wrote the First Number: Dickens and the Evolution of Character," Dickens Quarterly 3 (1986): 18-26.

--- "The Interpolated Tales in Pickwick Papers," Dickens Studies 1 (1965): 86-89.

_____. "Pickwick and the Development of Serial Fiction," Rice University Studies 61 (Winter 1975): 51-74.

_____. "Portraits of Pott: Lord Brougham and the Pickwick Papers," Dickensian 66 (1970): 205-24.

_____. "The Unpropitious Muse: Pickwick's 'Interpolated' Tales." Dickens Studies Newsletter 1 (March 1970): 7-10.

Pope, Norris. Dickens and Charity. New York: Columbia University Press, 1978.

Reed, Walter L. ""Pickwick Papers: and Vanity Fair: The Renascence of Convention," in An Exemplary History of the Novel: The Quixotic Versus the Picaresque Chicago: University of Chicago Press, 1981, 168-82.

Roberts, Doreen. "The Pickwick Papers and the Sex War," Dickens Quarterly 7 (1990): 299-311.

Rogers, Philip E. "Mr. Pickwick's Innocence," Nineteenth-Century Fiction 27 (1972): 21-37.

Rosenblum, Joseph. "The Pickwick Papers and Paradise Lost," Dickens Quarterly 3 (1986): 47-55.

Rubin, Stan S. "Spectator and Spectacle: Narrative Evasion and Narrative Voice in Pickwick Papers," Journal of Narrative Technique 6 (1976): 188-203.

Schlicke, Paul. Dickens and Popular Entertainment, London: Allen and Unwin, 1985.

Steig, Michael. "The Beginnings of 'Phiz': Pickwick, Nickleby, and the Emergence from the Caricature," in, Dickens and Phiz, Bloomington: Indiana University Press, 1978, 24-50.

Stewart, Garrett. "Quarantine of Imagination: The Pickwick Reign," in, Dickens and the Trials of the Imagination, Cambridge: Harvard University Press, 1974, 3-85.

_____. "Signing Off: Dickens and Thackeray, Woolf and Beckett," in William E. Cain, ed., Philosophical Approaches to Literature: New Essays on Nineteenth- and Twentieth-Century Texts , Lewisburg: Bucknell University Press, 1984, 117-139.

Stone, Harry. "From Pickwick to Chuzzlewit: Fairy Tales and the Apprentice Novels," in, Dickens and the Invisible World: Fairy Tales, Fantasy, and Novel-Making. Bloomington: Indiana University Press, 1979, 71-81.

Sucksmith, Harvey Peter. The Narrative Art of Charles Dickens: The Rhetoric of Sympathy and Irony in His Novels. Oxford: The Clarendon Press, 1970.

Vann, J. Don. "The Early Sucess of Pickwick," Publishing History 2 (1977): 51-55.

Walder, Dennis. Dickens and Religion. London: George Allen and Unwin, 1981.

Watt, Ian. "Oral Dickens," Dickens Studies Annual 3 (1974): 165-81. Welsh, Alexander. The City of Dickens. Oxford: The Clarendon Press, 1971.

_____. Reflections on the Hero as Quixote. Princeton: Princeton University Press, 1981.

Wilson, Edmund. "Dickens: 'The Two Scrooges'," in The Wound and the Bow. Cambridge: Houghton Mifflin, 1941, 1-104.


Victorian Web Overview Charles Dickens Little Dorrit

Last modified 24 October 2002