Note 74 to Chapter 6 of the author's George Eliot and the Visual Arts, which Yale University Press published in a 1979. It has been included in the Victorian web with the kind permission of the author, who of course retains copyright.
See Ellis K. Waterhouse, Reynolds (London: Kegan Paul, Trench, Trubner, 1941), and Edgar Wind, "Borrowed Attitudes in Reynolds and Hogarth," Journal of the Warburg and Courtauld Institutes, 2 (1938-39), 182-85. A late version of the Diana motif is Raimundo de Madrazo's The Marquise d'Hervey as Diana (1888); see Aleksa Celebonovic, The Heyday of Salon Painting: Masterpieces of Bourgeois Realism (London: Thames and Hudson, 1974), p. 29.
Last modified 20 September 2000