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A little too thin: A Review of Sara Atwood’s Ruskin’s Educational Ideals [review by George P. Landow].
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Bubb, Alexander. Meeting Without Knowing It: Kipling and Yeats at the Fin de Siècle. Oxford: Oxford University Press, 2016 [Review by Jacqueline Banerjee].
Buckton, Oliver S. Cruising with Robert Louis Stevenson: Travel, Narrative, and the Colonial Body. Ohio University Press, 2007 [Review by Sharon Aronofsky Weltman].
Burton, Antoinette. Empire in Question: Reading, Writing, and Teaching British Imperialism. Durham: Duke UP, 2011 [Review by Patrick Brantlinger].
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Chamberlain, Kathy. Jane Welsh Carlyle and Her Victorian World: A Story of Love, Work, Marriage, and Friendship. London: Duckworth Overlook, 2017. [Review by Joe Pilling]
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Cohen, Morton N., and Edward Wakeling. Lewis Carroll & His Illustrators: Collaborations and Correspondence, 1865-1898. Ithaca, NY: Cornell U. P., 2003 [Review by Philip V. Allingham].
Cohen, Philip K. John Evelyn Barlas, A Critical Biography: Poetry, Anarchism, and Mental Illness in Late-Victorian Britain. Rivendale Press, 2012. [review by George P. Landow].
Colledge, Gary. Dickens, Christianity and “The Life of Our Lord”: Humble Veneration, Profound Conviction. Continuum, 2009. x + 183 pp. [Review by Christine Colón]
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Craton, Lillian. The Victorian Freak Show: The Significance of Disability and Physical Differences in 19th-Century Fiction. Amherst, NY: Cambria Press, 2009. [Review by Diane Greco Josefowicz]
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Dabby, Benjamin. Women as Public Moralists in Britain: From the Bluestockings to Virginia Woolf. Woodbridge, Suffolk: The Royal Historical Society / The Boydell Press, 2017. [Review by Jacqueline Banerjee]
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Dickens, Charles. “A Tale of Two Cities” and the French Revolution. Ed. Colin Jones, Josephine McDonagh, and Jon Mee. Palgrave US, 2009. [Review by Laurence Davies]
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Eells, Emily, ed. Wilde in Earnest. Collection Intercalaires: Agrégation d'anglais Paris: Presses Universitaires de Paris-Ouest, 2015. [Review by Marianne Drugeon]
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Fleishman, Avrom. George Eliot's Intellectual Life. Cambridge: Cambridge University Press, 2010. [Review by Patrick Fessenbecker]
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Forman, Ross G. China and the Victorian Imagination: Empires Entiwned. Cambridge: Cambridge University Press, 2013. [Review by Mia Chen].
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Gilbert, Nora. Better Left Unsaid: Victorian Novels, Hays Code Films, and the Benefits of Censorship. Stanford: Stanford University Press, 2013. [Review by Ellen Moody]
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Gilmore, Den. The Victorian Novel and the Space of Art: Fictional Form on Display. Cambridge: Publisher, 2013. [Review by Elizabeth Helsinger]
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González-Rivas Fernández, Ana. El mundo clásico desde la mirada femenina: Margaret Fuller, Mary Shelley y George Eliot. Liceus (Madrid): Biblioteca de Recursos Electrónicos de Humanidades, 2008 [Review by Christopher Rollason; versión en español].
Gordon, John. Sensation and Sublimation in Charles Dickens. London: Palgrave Macmillan, 2011. 226 pp. [Review by Diana C. Archibald]
Grass, Sean. Charles Dickens’s Our Mutual Friend: A Publishing History. Burlington, VT, and Farnham, Surrey: Ashgate, 2014. [Review by Philip V. Allingham]
Gray, Erik. The “Milton and the Victorians. Cornell, 2009. xii + 183 pp. [Review by Stefanie Markovits]
Grossman, Jonathan H. Charles Dickens's Networks: Public Transportation and the Novel. Oxford, 2012. xi + 256pp. [Review by Laurence Davies]
Gubar, Marah. The “Artful Dodgers: Reconceiving the Golden age of Children's Literature. [Review by James Eli Adams]
Hallum, Kirby-Jane. Aestheticism and the Marriage Market in Victorian Popular Fiction: The Art of Female Beauty. Literary Texts and the Popular Marketplace Series, No. 8. London: Pickering & Chatto, 2015. [Review by Helena Ifill].
Hanson, Ingrid. William Morris and the Uses of Violence, 1856-1890. London: Anthem Press, 2013. [review by George P. Landow].
Harrington, Emily. Second Person Singular: Late Victorian Women Poets and the Bonds of Verse. Charlottesville and London: University of Virginia Press, 2014. [review by Katherine Miller Weber].
Hay, Daisy. Mr & Mrs Disraeli, A Strange Romance. London: Chatto & Windus, 2015. [review by Joe Pilling].
Henry, Nancy. The Life of George Eliot: A Critical Biography. Chichester: Wiley-Blackwell, 2015 (paperback reissue; first hardback edition, 2012). [review by Fionnuala Dillane]
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Holmes, John. Introduction. Science in Modern Poetry: New Directions. Ed. Holmes. London: Liverpool University Press, 2012. [Review by Jacqueline Banerjee]
Hultgren, Neil. Melodramatic Writing: From the Sepoy Rebellion to Cecil Rhodes. Athens: Ohio University Press, 2014. [Review by Jacqueline Banerjee]
Hunt, Aeron. Personal Business: Character and Commerce in Victorian Literature and Culture. Charlottesville: University of Virginia Press, 2014. [Review by George P. Landow]
Jenkins, Keith A. Brontë's Atypical Typology. NY: Peter Lang: 2010. [Review by George P.Landow].
Jordan, Joseph P. Dickens Novels as Verse. Madison and Teaneck: Fairleigh Dickinson U. P.; Lanham, Maryland: Rowman and Littlefield, 2012. Pp. 145. (Cloth) ISBB 978-1-61147-5241-1. [review by Philip V. Allingham and Andrzej Diniejko]
Kitton, Frederic G. Dickens and His Illustrators — the 2004 reprint [Review by Philip V. Allingham].
LaPorte, Charles. The Victorian Poets and the Changing Bible. Charlottesville: University of Virginia Press, 2011. Pp. 284. [Review by George P. Landow].
Larsen, Timothy. A People of One Book: The Bible and the Victorians. Oxford: Oxford University Press, 2011. Pp. 326. [Review by George P. Landow].
Ledbetter, Kathryn. British Victorian Women's Periodicals: Beauty, Civilization, Poetry. New York: Palgrave Macmillan, 2009 [Review by Kimberly J. Stern].
Lee, Julia Sun-Joo. The American Slave Narative and the Victorian Novel. Oxford: Oxford University Press, 2012. [Review by Cora Kaplan].
Liddle, Dallas. The Dynamics of Genre: Journalism and the Practice of Literature in Mid-Victorian Britain. Charlottesville: University of Virginia Press, 2009 [Review by Laurel Brake].
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MacCarthy, Fiona. Anarchy & Beauty: William Morris and His Legacy, 1860-1960. London: National Portrait Gallery Publications, 2014. (Hardcover edition. Yale University Press, 2014. [Review of both exhibition and catalogue by Antoine Capet]
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Martin, Meredith. The Rise and Fall of Meter: Poetry and English National Culture, 1860-1930. Princeton, 2012. [Review article by Eric C. Walker].
Martin, William H., and Sandra Mason, eds. The Man Behind the Rubaiyat of Omar Khayyam: The Life and Letters of Edward FitzGerald. London: I.B. Tauris, 2016 [Review by Robert D. Richardson].
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Mole, Tom. What the Victorians Made of Romanticism: Material Artifacts, Cultural Practices, and Reception History. Princeton: Princeton University press, 2018 [Review by George P. Landow].
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Pécastaing-Boissière, Muriel, et Marie Terrier. Annie Besant (1847-1933): La lutte et la quête (The Struggle and the Quest). Paris: Éditions Adyar, 2015. [Review by Bénédicte Coste].
Price, Leah. How to do things with books in Victorian Britain. Princeton: Princeton UP, 2011. [Review by George P. Landow]
Poston, Lawrence. The Antagonist Principle: John Henry Newman and the Paradox of Personality. Charlottesville and London: University of Virginia Press, 2014. [Review by George P. Landow]
Purton, Valerie, and Norman Page. The “The Palgrave Literary Dictionary of Tennyson. Palgrave Macmillan, 2011. xii+ 233pp. [Review by Linda Hughes]
Ramel, Annie. The Madder Stain: A Psychoanalytic Reading of Thomas Hardy. Contemporary Psychoanalytic Studies, Volume 21. Leiden: Brill, 2015. [Review by Stéphanie Bernard]
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Richards, Jeffrey. The Golden Age of Pantomime: Slapstick, Spectacle and Subversion in Victorian England. London & New York: I. B. Tauris, 2015. [Review by Jacqueline Banerjee]
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“Claire Tomalin's Invisible Woman after two decades” — a review of The Invisible Woman: The Story of Charles Dickens and Nelly Ternan. (1990) republished by Vintage in 2012 in anticipation of Ralph Fienes' film of the same name. [Review by George P. Landow]
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Last modified 25 September 2018