Books and Monographs on this site
Helsinger, Elizabeth K. Ruskin and the Art of the Beholder. Cambridge: Harvard University Press, 1982.
Hewison, Robert. John Ruskin: The Argument of the Eye. Princeton: Princeton University Press, 1976..
Landow, George P. The Aesthetic and Critical Theories of John Ruskin. Princeton: Princeton University Press, 1971.
_____. Ruskin. ("Past Masters" Series) Oxford: Oxford University Press, 1985.
_____. Victorian Types, Victorian Shadows; Biblical Typology in Victorian Literature, Art, and Thought. Boston and London: Routledge & Kegan Paul, 1980. [Especially chapters 3 and 4.
_____. William Holman Hunt and Typological Symbolism. New Haven and London: Yale University Press, 1979. [Ruskin's influence on the Pre-Raphaelites.]
_____. "Your Good Influence On Me:" The Correspondence of John Ruskin and William Holman Hunt. Manchester, England: Rylands Library, 1977.
Peterson, Linda H. “Ruskin's Praeterita: The Attempt at Deconstruction” in Victorian Autobiography: The Tradition of Self-Interpretation. New Haven: Yale University Press, 1986.
Sawyer, Paul L. Ruskin's Poetic Argument: The Design of the Major Works. Ithaca: Cornell University Press, 1985.
Landow, George P. "J. D. Harding and John Ruskin on Nature's Infinite Variety." Journal of Aesthetics and Art Criticism, 28 (1970), 369 — 80.
_____. "Ruskin and Baudelaire on Art and Artist." University of Toronto Quarterly 37 (1968): 295-308.
_____. There began to be a great talking about the Fine Arts. The Mind and Art of Victorian England. ed. Josef P. Altholz. Minneapolis: University of Minnesota Press, 1976.
Related material and Ruskin websites
- Reviews of Ruskin scholarship
- The Ruskin Programme at the University of Lancaster (UK)
- The Ruskin Museum at Coniston (UK)
- The Guild of St. George
- James Spates Why Ruskin Blog
- Mitsuharu Matsuoka's Hyper-Concordance allows word searches the complete texts of The King of thre Golden River, Sesame and Lilies, and The Stones of Venice
Last modified 5 June 2018