General
- His favorite authors
- Attitude towards poetic tradition
- Homer, Virgil, Dante, Spenser, and the epic
- Swinburne as superb parodist and imitator of earlier poets
- The Difficulties of Victorian Poetry — Browning, Hopkins, Swinburne, Tennyson
- Swinburne's Masterly Hand: Wagnerian Leitmotifs in "Tristram of Lyonesse"
Medieval
- The Troubadours
- Chaucer (general) and in relation to Balen
- The Troubadours
- fidelity to Arthurian sources
- François Villon
Renaissance and Eighteenth Century
Nineteenth Century
- Matthew Arnold
- Robert Buchanan's attack on Rossetti and Swinburne: "The Fleshy School of Poetry (text)"
- Mother's love — How Maternal projection is used to explore spirituality in the poetry of Gerald Manley Hopkins and Charles Algernon Swinburne
- Marie Corelli's turn-of-the-century attacks on Swinburne
- Shelley, R. Browning, and Tennyson
- Baudelaire and Hugo
- Baudelaire, art for art's sake, and ethical poetry
- Blake, Shelley, and Political Themes
- Blake as model for his own conception of art
- Allusions to Keats
- Blake and Keats
- Tristram of Lyonesse and Romanticism
- Tragic vision compared to that of Arnold and Hardy
- J. Swift, R. Browning, and Tennyson
- Tennyson, D. Rossetti, and Hopkins
- Compared to Tennyson as a medievalist
- Whitman and Poe
- an ascetic aesthete — like Christina Rossetti
- Elizabeth Sewell reports his views of George Eliot and E. B. Browning
- Dickens and Swinburne’s Images of the Seas
- Beerbohm on how the vitality and abundance of Swinburne's ideas creates obscurity
Modernists
Last modified 5 December 2011