Anactoria
- The Seismic Force of Metaphor in Swinburne's "Anactoria"
- Consuming Love: Sappho speaks in Swinburne's "Anactoria"
- Swinburne's "Anactoria": The Death of Love versus the Afterlife of Art
- Bitterness and Triumph in Swinburne's "Anactoria"
- "A Cameo" and "Anactoria"
Before a Crucifix
- Religion and Politics in "Before a Crucifix"
- The Corruption of Catholicism in Swinburne's "Before a Crucifix"
- Swinburne's Condemnation of Christianity in "Before a Crucifix"
- Swinburne's "Before a Crucifix"
By the North Sea
- Swinburne and Water in "By the North Sea"
- Gendered Nature in Swinburne's "By the North Sea"
- "By the North Sea"
- Extreme Contradictions in Swinburne's "By the North Sea"
- "Waste endless and boundless:" A.C. Swinburne's "By The North Sea"
- Swinburne's "By The North Sea": Desolation
- Desolation and Destruction in Swinburne's "By the North Sea"
Evening on the Broads
- The Circular Landscape: Confronting Paradox and Imagery in Swinburne's "Evening on the Broads"
- Ease or Desperation in "Evening on the Broads" by A.C. Swinburne
- A Bleak World in Swinburne's "Evening on the Broads"
- "Evening on the Broads" — A Shadowless World?
- Cosmic Beachcombers in "Evening on the Broads"
- The sunset of human existence: time and passing in Swinburne's "Evening on the Broads"
Hymn to Proserpine
- Time and Religion in Swinburne's "Hymn to Proserpine"
- Myth, Pattern, and Paradox in Swinburne's "Hymn to Prosperpine"
- Swinburne and the politics of "Hymn to Proserpine"
- Swinburne's "Hymn to Proserpine"
- "Hymn to Proserpine": The Rise of Christianity
- Juxtapositions of Christianity and paganism in Swinburne's "Hymn to Proserpine"
Laus Veneris
- The Devouring Woman in Swinburne's "Laus Veneris"
- The Eroticism of Leprosy and Romantic Obsession in A.C Swinburne's "Laus Veneris" and "The Leper"
- Laus Veneris: The Poem and the Painting
- Requited Love in "Laus Veneris": Is satisfaction possible?
The Triumph of Time
- Time, the Fates, and Lost Love in Swinburne's "The Triumph of Time"
- Wine, Bread, Body and Blood: How Swinburne Borrows Christian Imagery in "The Triumph of Time"
Sonnets
- Swinburne's view of Russian Anti-Semitic Pogroms
- Invective as Gesture: Swinburne's "On the Russian Persecution of the Jews"
- The Poetic Assault: Swinburne's "The Saviour of Society"
- The Savior of Society
Miscellaneous Poems
- The Femme Fatale in Swinburne's "In the Orchard"
- Absence in Swinburne's "A Forsaken Garden"
- A Feeling of Detachment in "Before Parting"
- Sound Liberates Meaning in Swinburne's "Itylus"
- Irresistible, Anguished Love in "A Ballad of Life"
- Landscapes of Garden and Sea in Swinburne's "A Forsaken Garden"
- Dolores: The Lady of Pain
- Swinburne's "Félise": A Dead Desire
- God as Pan: Swinburne's "A Nympholept"
- Gestalt Paganism in A.C. Swinburne's 'Hertha'
- Swinburne's Drama: Atalanta in Calydon and the Function of the Play
Last modified 21 March 2008