[Published with the permission of The Trollope Society]
his, the last of the Palliser novels, makes a graceful close to one of the most vivid sagas in English Literature. As so often, Anthony Trollope sets himself a Herculaean task, by disposing of the reader's favourite character, Lady Glencora, by the third page. Her death overwhelms the Duke, though it need not do the same for the reader. For some months she had been with her family in Italy; there she had begun to connive at the mutual passion of her daughter — a strapping and potentially troublesome girl of nineteen — for a handsome twenty-two year old from Cornwall, who is a close friend of her brother, Lord Silverbridge. Her interference in this, without the Duke's knowledge, was the worst of her legacies, and it leads, as her actions before had so often led, into a sea of troubles. Now, however, there is no exuberant Glencora to turn to: the Duke, grievously stricken, has to turn elsewhere, first to Mrs Phineas Finn. We are shown a strong character, who had never realised quite how important his wife had been — not only in the family, but in his own private life. 'It was as though a man should be suddenly called to live without arms or legs. Though he had loved her dearly, he had some times been inclined to think, in the exuberance of her spirits, she had been a trouble rather than a support to him...' Despite Mrs Finn's best efforts, the Duke can at first adopt no role except that of the heavy father. Frank Tregear is forbidden to see Lady Mary. Mrs Finn is caught between the two, and has to take all the Duke's anger. This, as the plot develops, leaves him peculiarly vulnerable: cut off from the advice he desperately needs — on how to handle human beings, in this case his own children — and increasingly isolated in a world he has been accustomed to rule. Meanwhile his son, not only compromised by introducing Lady Mary's unwelcome suitor into the family circle, gets himself into an unholy mess with a shifty racing crook, called Major Tifto. All is happily resolved by the end of the book. It is a measure of Trollope's sympathy that he makes the Duke so endearing when at bay: and also totally realistic.
- The Duke attempts to reconcile himself to the loss of his wife and to the world
- Social and ethical aspects of this primarily psychological novel
- Language a generational and social divide between the Duke and his sons
- Isabel Boncassen’s new use of language makes possible a new code, a new way of being
Last modified 3 October 2014