Sally King '07, Essays on Millais
- "Aweary" and Waiting: John Everett Millais's Mariana
- Doomed and Decorated: Millais's Lovers and their Surroundings in The Black Brunswickers
- Knowledge and Family in Millais's The Ruling Passion
- Nudes and Knights: Millais's The Knight Errant
- Order in the Family in The Order of Release
Meredith Moore '08, Erotic Elements in the Art of the Victorian Era
- Introduction
- We Didn't Start the Fire: Discovery of Pompeii's Erotic Art and its impact on Victorian Culture
- Reinstating the Male Nude
- Private vs. Public: Female Sexuality in Victorian Culture
- Slave Eroticism
John Nagler '07, Victorian Classicism in Painting: Common Inspiration with Eclectic Ends
- Frederick Lord Leighton — Aestheticism with a Hint of Didacticism
- Laurence Alma-Tadema — Where's the Story?
- Sir Edward Poynter — Action and Accuracy
- Albert Joseph Moore — Beautifully Purposeless
- John William Waterhouse — Making Myth Real
Paramvir Sawhney '08, The Victorians as Olympian Dreamers: The 'Togification' of Britain
- Introduction
- 'Classic Revel': How Fiction Becomes Fact in Edward Bulwer-Lytton's The Last Days of Pompeii
- Whose Dream Is It Anyway?: The Myth of The Toga
- Hall of Mirrors: Critique, Contradiction and Irony in Lawrence Alma-Tadema
Last modified 24 January 2007