Professor Landow (office: 338 Carr House; e-mail: email@example.com); office hours: 10.00-10:50, Monday, Wednesday, and Friday. Class meets in Sayles 102, 11-11:50 AM, Monday, Wednesday, and Friday.
Note: Check this on-line reading list at the beginning of each week since assignments may change or be reordered.
Classweb: Victorian Web
Weekly discussion questions. The weekly reading and discussion question has three parts: (a) depending upon whether the week's subject involves art or literature, you will either cite a painting or include substantial passage of 1-3 paragraphs (please don't forget page numbers — and to give your question set a title); (b) a graceful and effective introduction to the passage or the aspect of the painting that suggests why the reader wants to examine it closely; and (c) 4-5 questions, chiefly concerning matters of technique, for which you do not have to have answers. These exercises, which provide the basis of class discussion, should be e-mailed to me no later than 6 pm Sunday before we begin discussing the reading. (You can skip a single set of questions during the semester.) Follow for an example of such reading questions for another course.
Midterm and Final Projects: to be described later.
Introduction to the PRB. (2) Hogarth's Influence: Social Commentary, Symbolism, Satire (example of Industry and Idleness) (3) Creating High Art out of Realism. (4) Modern Painters, Volume 1, chapters "On the Truth of Color" and "On the Truth of Water" (at U.of Lancaster, UK) — Discussion Questions; "The Influence of John Ruskin on the PRB;" (5) The Situation in Painting — the example of Wilkie's The Blind Fiddler (6) Other hard-edge Pre-Raphaelite associates: John Brett, Charles Collins, William Davis, Augustus Egg, Arthur Hughes, J. F.Lewis, John Ruskin, W. B. Scott, Henry Wallis, Thomas Seddon, [Discussion questions]
Suggested additional readings: Chapters 1 and 2 of Landow, Ruskin: "Ruskin the word-painter" and "Ruskin the interpreter of the arts." Additional passages from Modern Painters, vols. 1-5.
Reading: Ruskin on Tintoretto — the passage Hunt read to Millais. Chapters 1 and 2 of Landow, Hunt: "To Elevate Materialism: Hunt's Search for a New Iconography" and "Typological Symbolism in Hunt's Major Works." [Some other Pre-Raphaelite associatesabout whose works you might wish to write disucssion questions: Ford Madox Brown, John Brett, Robert Martineau, and W. B.Scott (RISD has an important work of his). [Discussion questions by members of last year's class; discussion questions by this year's class]
Suggested additional readings:
- Hunt, Pre-Raphaelitism and the Pre-Raphaelite Brotherhood;
- Ladies of Shalott (Brown exhibition catalogue);
- "Thomas Seddon's 'Moriah' and His Jerusalem from the Valley of Jehosophat;"
- The Pre-Raphaelites. London: Tate Gallery/Allen Lane, 1984: to be consulted throughout course [Tate catalogue].
Reading: Landow, "Christ in the House of His Parents;" Victorian Web materials on Millais's paintings, drawings, and book illustrations. [Discussion questions by members of last year's class — Outline of topics discused in class]
A Brief look at Tennyson and the Pre-Raphaelite Brotherhood: Alfred Tennyson", "Mariana," "The Palace of Art" [text], "The Lady of Shalott" [text]; illustrations by the PRB for the Moxon Tennyson
Suggested additional reading: Tate catalogue and Millais Portraits. Princeton: Princeton UP, 1996.
Columbus Day Weekend: 7-9 October (no classes 8 October)
Reading: The Girlhood of Mary Virgin, Ecce Ancilla Domini (The Annunciation), The Seed of David, Lady Lilith, Beatrice, a Portrait of Jane Morris, Dante's Dream at the Time of the Death of Beatrice, discussion of "Passover in the Holy Family." Victorian Web materials on Rossetti's paintings and watercolors; biography. [Discussion questions by members of this year's class — Outline of topics discused in class]
Suggested additional reading: Tate catalogue and The Rossetti Archive (U.of Virginia)
Reading: Rossetti's late paintings and the following poems: "The Woodspurge," "The Blessed Damozel," "For A Venetian Pastoral," "The Burden of Nineveh," "Jenny," "My Sister's Sleep," "Staff and Scrip," "Troy Town," and poems about paintings, including "Mary's Girlhood" and "The Passover in the Holy Family." [Discussion questions by members of this year's class and last year's]
Materials on the dramatic monologue; a selection of Robert Browning's dranmatic monologues, "Porpyhria's Lover" [text] "The Bishop Orders His Tomb at St. Praxed's," Fra Lippo Lippi
Suggested additional reading:"'Life touching lips with immortality': Rossetti's Temporal Structures" in Landow, Victorian Types.
Readings: "Goblin Market," "Song," all poems in Victorian Web plus Monna Inominata; criticism and background materials in the Victorian Web. [Discussion questions by members of last year's class]
Suggested additional readings: Anthony H. Harrison's Christina Rossetti in Context, especially chapters 2-4.
Reading: The Burne-Jones section of the Victorian Web: all works plus biographical materials. Use Google to find images of the Perseus, Pygmalion, and Briarose cycles. [Discussion questions by members of last year's class — Outline of topics discused in class]
Reading: "Laus Veneris," "The Triumph of Time," "Dolores," "Hymn to Prosperine" [text], "Anactoria," "On the Russian Persecution of the Jews," and Dirae [text], "Before a Crucifix" [text], " "A Foresaken Garden," "Evening on the Broads" [text], "By the North Sea" [text]. Critical and contextual materials in the Victorian Web. Discussion questions.
Suggested additional readings: Chapter 1, Anthony H. Harrison, Swinburne's Medievalism: A Study in Victorian Love Poetry; Robert Buchanan's attack on Rossetti and Swinburne: "The Fleshy School of Poetry."
Reading: From The Defence of Guenevere and Other Poems (1858): "The Blue Closet" (Text), "The Defence of Guenevere" (Text), "Golden Wings" (Text), "The Haystack in the Floods" (Text — Discussion), "King Arthur's Tomb" (Text), "Near Avalon" (Text), "Shameful Death" (Text), "Summer Dawn" (Text), "Two Red Roses across the Moon" (Text), "The Tune of the Seven Towers" (Text). Works in design: stained-glass, furniture, textiles. Victorian design, especially furniture, ceramics, and jewelry. Discussion questions. Suggested additional reading: William Morris. Ed. Linda Parry. New York: Abrams, 1996.
Materials in the Victorian Web on design, furniture, metalwork, jewelry, ceramics, and textiles. Discussion questions.
Reading: Evelyn de Morgan, Atkinson Grimshaw, Sidney Harold Meteyard, Henry Ryland, Frederick Sandys , Emma Sandys, William Bell Scott, John Liston Byam Shaw, Bernard Sleigh, Simeon Solomon, John Rodham Spencer Stanhope, John Melhuish Strudwick, John William Waterhouse.
Discussion questions. Suggested additional reading: Jan Marsh and Pamela Gerrish Nunn, Pre-Raphaelite Women Artists. London: Thames and Hudson, 1998.
24-28 November. Wednesday noon to Sunday. Thanksgiving recess
Reading: Aubrey Beardsley; Max Beerbohm, Rossetti and His Circle (caricatures); Sidney Sime; Max Beerbohm, "A Defence of Cosmetics," Ernest Dowson, "Nuns of the Perpetual Adoration" [text] and "Extreme Unction" [text]; Oscar Wilde, "The Decay of Lying," "Les Ballons ," "The Harlot's House ," "Helas! ," "Impression du Matin," "Pan — Double Villanelle ," "The Sphinx ," "Symphony In Yellow." — Discussion Questions
Works by Fernand Khnopff, Max Klinger. Gustav Klimt, Franz von Stuck, and others (to be added to VW). — Discussion Questions
Suggested additional reading: Philippe Jullian, Dreamers of Decadence: Symbolist Painters of the 1890s. London: Pall Mall, 1971; Patrick Bade, Images of Evil and Fascinating Women. NewYork: Mayflower, 1979;
Thursday, 7 December, through Monday, 11 December: Reading period. It may be used as an expansion week; 12-20 December: Final Exam Period
Final Projects by Members of Fall 2006 Seminar
C. Rossetti. Complete Poems. Penguin paperback.
D. G. Rossetti. Collected Poetry and Prose. Ed. McGann. Yale UP paperback.
John Ruskin. The Genius of John Ruskin. U. of Virginia paperback.
A. C. Swinburne, Poems and Ballads. Penguin paperback.
Christopher Wood. The Pre-Raphaelites.
Last modified 3 December 2006