Essays and Notes by George P. Landow
3.68. "Es Texto Hypertexto o Paratexto?" Contrstes 47 (2007): 93-99. This is a condensed form of 3.65.
3.67. [With Ian Lyons, lead author] "Writing Poetry in Stretchtext: Literature and a New Form of Hypermedia." A: Minima. [Ovieto, Spain] 13 (2005): 152-61.
3.66. "Foreword." Angels and Fairies by Iain Zaczek. London: Flame Tree Publishing, 2005.
3.65. "Is Hypertext Text or Paratext?" Paratext. I (Pisa-Rome: Istituti Editoriali e Poligrafici Internaziolnali, 2004).
3.65b. "L'Ipertesto: Testo o Paratesto?" Paratesto: Rivista Internazionale. I (Pisa-Rome: Istituti Editoriali e Poligrafici Internaziolnali, 2005): 291-303.
3.64. "Né testo né paratesto: così è la Rete." Il Sole-24 Ore. Trans. Sylvie Coyaud. 315 (14 November 2004): 37.
3.63. "Is This Hypertext Any Good? Judging Quality in Hypermedia." Dichtung Digital — ournal für digitale ästhetik. Autumn 2004. Ed. Laura Borràs Castanyer. No. 33 - ISSN 1617-6901. [text]
Spanish translation will appear in volume published by Hermeneia (Estudis literaris i tecnologies digitals), Universitat Oberta de Catalunya.
3.62 (With Ernest Chew). "Anthony Trollope's Marginalia in Macaulay's Critical and Historical Essays" Notes and Queries. 2001.
3.61 "Hypertext." Encyclopedia of Aesthetics.
Ed. Michael Kelly. 4 vols. Oxford: Oxford University Press, 1998. II, 442-44.
3.60 "Redefining the Differences between Principal and Subsidiary Texts in Electronic Scholarly Editions." (abstract) DRH 96: Digital Resources for the Humanities. Oxford, 1996.
3.59"Hypertext, Scholarly Annotation, and the Electronic Edition." ALLC-ACH '96 Conference Abstracts. Bergen: University of Bergen, 1996. [Complete paper despite title of volume.]
3.58 "Afterword to the Italian Edition of Hypertext" New England Book and Text Studies 1 (1994): 42-44. See 1.12.
3.57 [with Paul Kahn and Ronnie Peters] "Three Fundamental Elements of Visual
Rhetoric in Hypertext." Darmstadt, 1993.
3.56 [with Paul Kahn] "The Pleasures of Possibility: What is Disorientation in Hypertext." Journal of Computing in Higher Education. 4 (1993):
57-78.
3.55 "Teaching with Intermedia." Hypermedia in the Humanities.
Ed. Marilyn Deegan, Nicola Timbrell, Lorraine Warren. Oxford: Universities of
Oxford and Hull, 1992. 53-55.
3.54 [with Paul Kahn] "Where's The Hypertext? The Dickens Web as a System-
Independent Hypertext." ECHT'92. New York: ACM, 1992.
3.53 [with Gary S. Weissman] "What Publishers Need to Know about the
Hypermedia Textbook: The Example of the Intermedia Emblem Web"
Elektroniske bøker -- Multimedia oppslagsverk [Electronic Books --
Multimedia Reference Works], Bergen, Norway: Norwegian Computing
Centre for the Humanities, 1991. Pp. 63-82.
3.52 "Virtual Texts, Virtual Authors, and Computing in the Humanities."
The New Medium ALLC-ACH 90. Siegen, Germany: Association
of Literary and Linguistic Computing-Association of Computing in the
Humanities, 1990. Pp. 148-149.
3.51 "History, His Story, and Stories in Graham Swift's Waterland."
Studies in the Literary Imagination, 23 (1990), 197-211.
3.50 "The Rhetoric of Hypermedia: Some Rules for Authors." Journal of
Computing in Higher Education, 1 (1989), 39-64.
3.49 "Course Assignments Using Hypertext: The Example of Intermedia."
Journal of Research in Computing in Education. 21 (1989), 349--
65.
3.48 "Hypertext in Literary Education, Criticism, and Scholarship."
Computers and the Humanities, 23 (1989), 173-98. An amplified
version of 2.14.)
3.47 "Intermedia and Context32." Yearbook of Computing in the
Humanities. Oxford: Oxford University Press, 1988. Pp. 361-62.
3.46 "Reading Pre-Raphaelite Painting." Journal of Pre-Raphaelite and
Aesthetic Studies. 1 (Spring 1988), 25-31.
3.45 "Relationally Encoded Links and the Rhetoric of Hypertext."
Hypertext '87 Papers. New York: ACM, 1987. Pp. 331--43.
3.44 "Thomas Seddon's 'Moriah' and His Jerusalem from the Valley of
Jehosophat," Journal of Pre-Raphaelite and Aesthetic
Studies. 1 (1987), 59--65.
3.43 "Context32: Using Hypermedia to Teach Literature." IBM Academic
Information Systems University Conference Proceedings. Ed. L. Hope
Lewis. Milford, Connecticut: IBM Academic Information Systems, 1987. Pp. 30--
39.
3.42 [with Nicole Yankelovich and David Cody] "Creating Hypermedia
Materials for English Literature Students," SIGCUE Outlook, 19
(1987), 12--25.
3.41 "A Book about Paintings from Books." Review 9, (1987), 175--
87.
3.40 "A Checklist of the Writings of John Lucas Tupper, Friend of the Pre-
Raphaelites." Journal of Pre-Raphaelite Studies, 7 (1986), 63--
68.
3.39 "Victorianized Romans: Images of Rome in Victorian Painting,"
Browning Institute Studies, 12 (1984), 29-51.
3.38 "Shadows of Shadows: Biblical Typology and English Literature."
Review 6, (1984), 21--34.
3.37 "William Holman Hunt's Letters to Thomas Seddon." Bulletin of the
John Rylands University Library of Manchester, 66 (1983), 139--72.
3.36 "Shadows Cast by The Light of the World: William Holman
Hunt's Religious Paintings, 1893--1905," Art Bulletin, 65 (1983),
471--84.
3.35 "William Holman Hunt's 'Oriental Mania' and His Uffizzi Self-Portrait."
Art Bulletin, 64 (1982), 646--55.
3.34 "Christ the Pilot: a Panel from William Holman Hunt's Unfinished
Triptych." Journal of Pre-Raphaelite Studies, 1 (1980), 79--91.
3.33 "The Art-Journal, 1850--1880: Antiquarians, the Medieval
Revival, and the Reception of Pre-Raphaelitism." The Pre-Raphaelite
Review, 2 (1979), 71--76.
3.32 "William Holman Hunt on Poetry." The Pre-Raphaelite
Review, 2 (1979), 38--48.
3.31 "And the World Became Strange: Realms of Literary Fantasy."
Georgia Review, 33 (Spring 1979), 7--42.
3.30 "Bruising the Serpent's Head: Typological Symbolism in Victorian Poetry."
Victorian Newsletter, 55 (1979), 11--14.
3.29 "Life Touching Lips with Immortality: Rossetti's Typological Structures."
Studies in Romanticism, 17 (1978), 247--65.
3.28 "Iconography and Point of View in Painting and Literature." Studies
in Iconography, 3 (1977), 89--104.
3.27 "William Holman Hunt and the Missionaries." The Pre-Raphaelite
Review, 1 (1977), 27--33.
3.26 "Morris to Swinburne: a Link in the Correspondence." Notes and
Queries, 24 n. s. (1977), 415--16.
3.25 "William James Linton's Portrait of Allen Wardner." In From the Print Collection (Catalogue of an Exhibition at Brown University in April
1976). Number 20 (no pagination).
3.24 "Walter Pater to Charles Rowley: a New Letter." Notes and
Queries, 22 n. s. (1975), 441.
3.23 "'As Unreserved as a Studio Chat': Holman Hunt's Letters to Ernest
Chesneau." Huntington Library Quarterly, 38 (1975), 355--69.
3.22 "'Swim or Drown': Carlyle's World of Shipwrecks, Castaways, and Stranded
Voyagers." Studies in English Literature, 15 (1975), 641--55.
3.21 "'We Must Die in Our Armour': A New Mazzini Letter." Studies in
English and American Literature (annual volume of American
Notes and Queries), 1 (1974), 285--88.
3.20 "Symonds to Horne: a New Letter." Modern Philology, 71
(1974), 303.
3.19 "Closing the Frame: Having Faith and Keeping Faith in Tennyson's 'The
Passing of Arthur.'" Bulletin of the John Rylands University Library of Manchester, 56 (1974), 423--42.
3.18 "'I heard of a delightful ghost': a New Ruskin Letter." Philological
Quarterly, 52 (1973), 779--83.
3.17 "Hartley Coleridge on the Death of His Father: a New Letter." Notes
and Queries, 20 n. s. (1973), 779--80.
3.16 "(Proposal for a repository of Tennyson criticism at Lincoln)."
Tennyson Research Bulletin, 3 (1973), 64.
3.15 "Some New Thackeray Letters." English Language Notes, 10
(1973), 279--81.
3.14 "Swinburne to W. J. Linton and J. M. Inchbold: Two New Letters."
Modern Language Review, 68 (1973), 264--67.
3.13 "Tennyson and Hartley Coleridge: A Brief Note." Tennyson Research
Bulletin, 2 (1972), 37--38.
3.12 "The Page Proofs of ll. 1--132 of the 1842 Version of 'The Miller's Daughter.'"
Tennyson Research Bulletin, 2 (1972), 37--38.
3.11 "Shipwrecked and Castaway on the Journey of Life: an Essay towards a
Modern Iconography." Revue de Littérarature
Comparée, 184 (1972), 569--96.
3.10 "Another Ruskin Letter." Notes and Queries, 19 n. s. (1972),
420.
3.9 "William Holman Hunt's 'The Shadow of Death.'" Bulletin of the John
Rylands University Library of Manchester, 55 (1972), 197--239.
3.8 "John Ruskin and W. J. Linton: A New Letter." English Language
Notes, 10 (1972), 38--41.
3.7 "J. D. Harding and John Ruskin on Nature's Infinite Variety." Journal of
Aesthetics and Art Criticism, 28 (1970), 369--80.
3.6 "Ruskin's Version of Ut Pictura Poesis." Journal of
Aesthetics and Art Criticism, 26 (1968), 521--28.
3.5 "Ruskin's Revisions of the Third Edition of Modern Painters,
Volume I." Victorian Newsletter, 33 (1968), 12--16.
3.4 "Ruskin's Refutations of 'False Opinions Held Concerning Beauty."
British Journal of Aesthetics, 8 (1968), 60--72.
3.3 "Ruskin and Baudelaire on Art and Artist." University of Toronto
Quarterly, 37 (1968), 89--101.
3.2 "Letters Pro and Con (John Ruskin and Herbert Read)." Journal of
Aesthetics and Art Criticism, 26 (1968), 99--101.
3.1 "Tristram Shandy and the Comedy of Context." Brigham Young
University Studies, 7 (1966), 208--24. [text]
Reprinted in Laurence Sterne, Wege der Forschung, ed. Gerd
Rohmann (Darmstadt: Wissenschafliche Buchgesellschaft, 1980), Pp. 201--
17.
