Thomas was a link, via his friend Ford Madox Brown with whom he shared a studio in 1848, between the Pre-Raphaelites and the monastic group of German painters known as the Nazarenes. Thomas studied in Munich in the early 1840s and adopted the Nazarenes’ severe style, hard outline and Christian subject matter. In 1845, three years before the Brotherhood was formed, Brown went to Munich to meet the two most important Nazarenes, Overbeck and Cornelius, probably at Thomas’ introduction. Thomas also knew Seddon and Rossetti, and was credited with giving the Pre-Raphaelite periodical The Germ its name. — the Maas Gallery

Works


Last modified 28 February 2018