Gilbert studied under J. E. Boehm, and in 1875 went to Paris, entered école des Beaux Arts and studied under P. J. Cavelier for 3 years. 1878 moved to Rome, from there sent The Kiss of Victory to R.A., 1882; Perseus Arming to Grosvenor Gallery, 1882; and Icarus to R.A., 1884. On advice from Leighton returned to England, 1884. In 1887 completed Fawcett Memorial, also Queen Victoria Memorial, Winchester. Obtained commission for Shaftesbury Memorial Fountain (Eros) in Piccadilly Circus, unveiled 1893. Mayoral chain for Preston, 1888; John Howard Memorial, Bedford, 1894; Clarence Tomb, Windsor, 1892-8, completed l926; Whippingham Screen, 1896; Memorial to Lord Arthur Russell, Chenies, 1898. Appointed Professor of Sculpture at R.A., 1900. Declared bankrupt 1901 and in 1903 went to live in Bruges; resigned from R.A., 1908. Executed many statuettes often incorporated in large compositions, also goldsmith's work and medals.
An artistic leader who had enormous influence, he was unpractical about money and unhappy in his relationships with patrons. Returned to England 1926. Received commission for Alexandra Memorial, completed 1932. Resumed membership of R.A.
A.R.A. 1887, R.A. 1892, M.V.O. 1897, Knighted 1932. [British Sculpture 1850-1914, p. 24.]
- The Call of the Sea
- Comedy and Tragedy: "Sic Vita"
- The de Vesci Seal
- Edward the Confessor
- Edward King and Martyr
- The Enchanted Chair
- Eros (Piccadilly Circus)
- Eros (Liverpool)
- Faith, Hope, Charity
- John Howard
- The Kiss of Victory (three versions)
- Mors Janua Vitae
- An Offering to Hymen
- Perseus Arming (three versions)
- St. Catherine (The Miraculous Wedding) (two versions)
- Veiled Figure — possibly St. Catherine of Egypt
- St. Elizabeth of Hungary
- St. George
- St. George and the Dragon, Victory Leading
- St. Michael
- Study of a Head
- Study (Head of a Capri Fisherman)
- Memorial Font for the sons of the Marquis of Bath
- Tomb of H.R.H. the Duke of Clarence
- The Tomb
- Part of the Screen around the tomb
- St. Michael (working model for the tomb)
- St. George (working model for the tomb)
- Queen Alexandra Memorial
- Queen Victoria
- Bronze seated figure, Newcastle
- Bronze seated figure, Winchester
- Marble bust, Law Courts, London
- Marble bust, Army & Navy Club, London
- Ralph Caldecott Memorial
- The Virgin
- Victory (four versions)
- The Fawcett Memorial
- Mother and Child
- Guardian Angel
- St George (at St Mary Magdalene, Sandringham)
- Nina Cust
- James Prescott Joule
- Eliza Millard Macloghlin
- Mr. and Mrs. Macloghlin
- Ignace Jan Paderewski
- G. F. Watts
Bas Reliefs, Medals, and other metalwork
- Art Union Jubilee Medal [Queen Victoria]
- The Graham Memorial
- Post Equitem Sedet Atra
- The Resurrection of Christ
- Preston Mayoral Chain (4 images)
- Queen Victoria
- Edward Bulwer-Lytton Memorial, St. Paul's Cathedral
- Screens on the Battenberg Chapel, St Mildred's, Isle of Wight (2 images; scroll down to see)
- Roundel with Portrait of Unidentified Man and Wife
Works attributed to Gilbert
Beattie, Susan. The New Sculpture. New Haven: Yale University Press, 1983.
British Sculpture 1850-1914. A loan exhibition of book and medals sponsored by The Victorian Society. London: Fine Art Society, 1968.
Bury, Adrian. Shadow of Eros: A Biographical and Critical Study of the Life and Works of Sir Alfred Gilbert, RA, MVO, DCL. London 1954.
Dorment, Richard. Alfred Gilbert. New Haven: Yale University Press, 1985.
Dorment, Richard. Alfred Gilbert Sculptor and Goldsmith. Exhibtion Catalogue. London 1986.
Dorment, Richard. Victorian High Renaissance. Minneapolis: The Minneapolis Institute of Arts, 1978.
Hatton, Joseph. The Life and Work of Alfred Gilbert RA, MVO, LLD. Easter Art Annual. London 1903.
Macklin, Alys Eyre. “Alfred Gilbert at Bruges.” The Studio. 48 (1909): 98-117.
Read, Benedict. Victorian Sculpture. New Haven: Yale University Press, 1982.
Spielmann, M H. British Sculpture and Sculptors of To-Day. London, 1901.
Last modified 5 February 2020