Painting

• Ruskin's drawings and watercolors — A Ruskin Gallery (70 images)
• Joseph Mallord William Turner (1775-1851)
  • Turner and the sister arts
  • Ruskin on Turner's Isolation
  • Ruskin on Turner's Color
  • Ruskin on Turner's "palpitating, perpetual change"
  • Turner, Wordsworth, and the Sublime
  • Turner and the Picturesque
  • Turner and Pathetic Fallacy
  • Ruskin's allegorical interpretations of Turner
  • Ruskin on The Fall of Shaffhausen
  • Ruskin on the Mercury and Argus
  • Ruskin on the Slave Ship
  • Ruskin on Snow Storm: Steamboat off a Harbour's Mouth
• The Pre-Raphaelites
  • Ruskin's Influence on the Pre-Raphaelite Brotherhood
  • Portraits of the Artists and Their Critic: Ruskin's Relation with the Pre-Raphaelite Brotherhood
  • The letters of Ruskin and W. Holman Hunt
  • Pre-Raphaelite Approaches to Ut Pictura Poesis: Sister Arts or Sibling Rivalry?
• Ruskin's art teachers, Samuel Prout and J. D. Harding
• The Falling Rocket: Ruskin, Whistler and Abstraction in Art

Architecture

• Ruskin's Venice — a photographic scrapbook (seven galleries thus far)
• Ruskin and the Meaning of Architecture
• Gothic
  • Gothic buildings in France Ruskin draws and discusses
  • Venetian Gothic
  • A. W. N. Pugin
  • The Oxford Natural History Museum
• Ruskin's Seven Lamps of Architecture as inspiration for the revival of the adobe style of the American Southwest.

Ruskin as a Subject of art

• Portraits of Ruskin in various media — A Ruskin Gallery
  • J. E. Millais
• Sculptures of Ruskin
• Caricature (A Gallery of Ruskin Caricature)
  • Beerbohm's John Ruskin meets Miss Cornforth
  • Beerbohm's Dante Gabriel Rossetti, in His Back Garden
  • Vanity Fair

Ruskin's self-portrait.

Photography

• Photographs taken by Ruskin or under his direction
  • A Courtyard at Abbeyville, 1858
• Portrait photographs of Ruskin
• Photography in His Art Theory

Music

• Ruskin's views of music
• Ruskin as the inspiration for David Lang and Manuela Holterhof's opera, Modern Painters

Art Theory

• Interarts Theory
• The use and moral value of art
• Ruskin's conception of painting and poetry as expressive arts
• Ruskin's theory of Typical (Symbolical) Beauty
• Ruskin's theory of Vital Beauty
• Ruskin's theory of the sublime
• Two modes of the picturesque
• Ruskin and nineteenth-century attitudes toward allegory
• The Symbolical Grotesque — theories of allegory, artist, and imagination
• Ruskin's allegorical interpretations of Turner
• "Constant art" and the allegorical ideal
• Ruskin on fantasy in art

The Ruskin Library, University of Lancaster

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