[(1) Photographs by the author. (2) Click on thumbnails for larger images. (3) You may use these images without prior permission for any scholarly or educational purpose as long as you (a) credit the photographer and (b) link your document to this URL in a web document or cite it in a print one.

Waterhouse's Natural History Museum, London, seen over Chelsea rooftops. View from ninth floor, Chelsea Cloisters, Slane Avenue, London SW1. Photograph January 2011. Seen from this angle, the museum resembles a cathedral, which in a sense it is — a cathedral dedication to Drawin and evolution by natural selection.

Left to right: A view from an angle opposite to that shown above. Middle: The roofline showing some of the elaborate spiral chimneys. Right: The entrance with two signs declaring "Mortimer House."

Central tower and main entrance. (b) Façade, with considerable use of polychromy. (c) Detail, main entrance. (d) Columns at main entrance.

Carved details on the exterior

Carved mice. (b) Carved pheasants. (c) Details on feet of columns(the head of a small mammal, and a leaf) (d) A grotesque bird. Something between a pelican and a vulture, this is ready to swoop from its perch below a window ledge. All carving, from Waterhouse's detailed drawings, was by Farmer & Brindley (see Read 243).

Reference

Read, Benedict. Victorian Sculpture. New Haven & London: Yale University Press, 1982.


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Last modified 20 April 2012