[Adapted from Glenn Everett, "You'll Not Let Me Speak": Engagement and Detachment in Browning's Monologues"]

Adams, Hazard. The Contexts of Poetry. Boston: Little, Brown, 1963.

Athenaeum April 22, 1843: 385. Litzinger and Smalley 84-85.

Athenaeum November 17, 1855: 1327-8. Litzinger and Smalley 155-57.

Bialostosky, Donald H. Making Tales: The Poetics of Wordsworth's Narrative Experiments. Chicago: U of Chicago P, 1984.

Booth, Wayne. The Rhetoric of Fiction. Second Ed. Chicago: U of Chicago P, 1983.

---. A Rhetoric of Irony. Chicago: U of Chicago P, 1974.

Browning, Robert. Letter to John Ruskin, 10 December 1855. Litzinger and Smalley 14-15.

---. The Poems. 2 vols. Ed. John Pettigrew and Thomas J. Collins. New Haven: Yale UP, 1981.

Cadbury, William. "Lyric and Anti-Lyric Forms: A Method for Judging Browning," University of Toronto Quarterly 34 (1965): 49-67.

Corson, Hiram. An Introduction to the Study of Robert Browning's Poetry. 3rd ed. 1901; rpt. Freeport, N.Y.: Books for Libraries Press, 1970.

Culler, Jonathan. Structuralist Poetics: Structuralism, Linguistics, and the Study of Literature. Ithaca: Cornell UP, 1975.

Curry, S.S. Browning and the Dramatic Monologue. Boston: Expression, 1908.

Drew, Philip. The Poetry of Browning: A Critical Introduction. London: Methuen, 1970.

The Eclectic Review 46th ser. 19 (April, 1846): 413, 421-26. Litzinger and Smalley 113.

Eco, Umberto. The Role of the Reader: Explorations in the Semiotics of Texts. Bloomington: Indiana UP, 1979.

Erickson, Lee. Robert Browning: His Poetry and His Audiences. Ithaca: Cornell UP, 1984.

Ewbank, David R. "Bishop Blougram's Argument." Victorian Poetry 10 (1972): 257-63.

Fish, Stanley. "Literature in the Reader: Affective Stylistics." New Literary History 2.1 (Autumn 1970): 123-62. Tompkins 70 100.

Fletcher, Robert H. "Browning's Dramatic Monologs," MLN 22 (1908): 108-11.

Garratt, Robert F. "Browning's Dramatic Monologue: The Strategy of the Double Mask." Victorian Poetry 11 (1973): 115-25.

Gibson, Walker. "Authors, Speakers, Readers, and Mock Readers." College English 11 (1950): 265-69. Tompkins 1-6.

Honan, Park. Browning's Characters: A Study in Poetic Technique. New Haven: Yale UP, 1961.

Hughes, Linda. The Many Faceted Glass: Tennyson's Dramatic Monologues. Athens: Ohio UP, 1987.

Iser, Wolfgang. The Act of Reading: A Theory of Aesthetic Response. Trans. of Der Akt des Lesens: Theoriesthetischer Wirkung. 1976. Munich: Wilhelm Fink. Trans. Baltimore: Johns Hopkins UP, 1984.

---. The Implied Reader: Patterns of Communication in Prose Fiction from Bunyan to Beckett. Trans. of Der Implizite Leser: Kommunikationsformen des Romans von Bunyan bis Beckett. 1972. Munich: Wilhelm Fink. Trans. Baltimore: Johns Hopkins UP, 1974.

Jauss, Hans Robert. Toward an Aesthetic of Reception. Trans. Timothy Bahti. Minneapolis: U of Minnesota P, 1982.

Jones, A.R. "Robert Browning and the Dramatic Monologue: The Impersonal Art." Critical Quarterly 9 (1967): 301-28.

Langbaum, Robert. The Poetry of Experience. 4th ed. Chicago: U of Chicago P, 1985.

Latané, David E., Jr. Browning's Sordello and the Aesthetics of Difficulty. English Literary Studies series. Victoria, B.C.: U of Victoria, 1987.

Litzinger, Boyd, and Donald Smalley, eds. Browning: The Critical Heritage. New York: Barnes & Noble, 1970.

MacCallum, M.W. "The Dramatic Monologue in the Victorian Period." Proceedings of the British Academy 1924-1925: 265 282.

Martin, Loy D. Browning's Dramatic Monologues and the Post Romantic Subject. Baltimore: Johns Hopkins UP, 1985.

Maynard, John. "Speaker, Listener, and Overhearer." Browning Institute Studies 15 (1987): 105-12.

Mermin, Dorothy. The Audience in the Poem: Five Victorian Poets. New Brunswick: Rutgers UP, 1983.

Miller, J. Hillis. The Linguistic Moment: From Wordsworth to Stevens. Princeton: Princeton UP, 1985.

Nichols, Ashton. "Dialogism in the Dramatic Monologue: Suppressed Voices in Browning." Victorians Institute Journal 18 (1990): 29-51.

Parrish, Stephen Maxfield. The Art of the Lyrical Ballads. Cambridge, Mass.: Harvard UP, 1973.

Perry, John Oliver. "The Relationships of Disparate Voices in Poems." Essays in Criticism 15 (1965): 49-64.

Peterson, William S., and Fred L. Standley. "The J.S. Mill Marginalia in Robert Browning's Pauline: A History and Transcription." Papers of the Bibligraphical Society of America 66 (1972): 135-70.

Prince, Gerald. "Introduction d l'étude du narrataire." Poétique 14 (1973): 177-96. Rpt. as "Introduction to the Study of the Narratee." Trans. Francis Mariner. Tompkins 7 25.

Rader, Ralph W. "The Concept of Genre and Eighteenth-Century Studies." In New Approaches to Eighteenth-Century Literature. Selected Papers from the English Institute. Ed. Philip Harth. New York: Columbia UP, 1974. 79-115.

---. "Fact, Theory, and Literary Explanation." Critical Inquiry 1 (1974): 245-72.

---. "Notes on Some Structural Varieties and Variations in Dramatic 'I' Poems and Their Theoretical Implications." Victorian Poetry 22 (1984): 103-20.

---. "The Dramatic Monologue and Related Lyric Forms,"Critical Inquiry 3 (1976-7): 131-51.

Riffaterre, Michael. "Describing Poetic Structures: Two Approaches to Baudelaire's 'Les Chats.'" Structuralism. Ed. Jacques Ehrmann. 1966. Abridged in Tompkins 26-40.

Rosmarin, Adena. The Power of Genre. Minneapolis: U of Min nesota P, 1985.

Saradhi, K.P. "The Theatre of the Mind: Browning's Dramatic Monologues." Genre 8 (1975): 322-35.

Saunders, Mary. "Tennyson's 'Ulysses' as a Rhetorical Monologue." Victorian Newsletter 60 (1981): 20-24.

Sessions, Ina Beth. "The Dramatic Monologue." PMLA 62 (1947): 503-16.

Shaw, W. David. "Philosophy and Genre in Victorian Poetics: The Idealist Legacy." ELH 52 (1985): 471-501.

---. The Dialectical Temper: The Rhetorical Art of Robert Browning. Ithaca: Cornell UP, 1968.

Sinfield, Alan. The Dramatic Monologue. Critical Idiom series. London: Methuen, 1977.

Suleiman, Susan Rubin. "Of Readers and Narratees: The Experience of Pamela." L'Esprit Créateur 21.2 (Summer 1981): 89-97.

Suleiman, Susan R. "Introduction: Varieties of Audience-Oriented Criticism." Suleiman and Crosman 3-45.

Suleiman, Susan R., and Inge Crosman, eds. The Reader in the Text. Princeton: Princeton UP, 1980.

Tompkins, Jane P., ed. Reader-Response Criticism: From Formalism to Post-Structuralism. Baltimore: Johns Hopkins UP, 1980.

Tucker, Herbert F., Jr. "Dramatic Monologue and the Overhearing of Lyric." Ed. Chaviva Hosek and Patricia Parker. Lyric Poetry: Beyond New Criticism. Ithaca: Cornell UP, 1985. 226 43.

---. "From Monomania to Monologue: 'St. Simeon Stylites' and the Rise of the Victorian Dramatic Monologue." Victorian Poetry 22 (1984): 121-137.

---. Browning's Beginnings: The Art of Disclosure. Minneapolis: U of Minnesota P, 1980.

Wilson, W. Daniel. "Readers in Texts." PMLA 96 (1981): 848-63.

Woolford, John. Browning the Revisionary. New York: St. Martin's P, 1988.

Victorian Overview R. Browning

Last modified 8 April 2006