"The Decay of Lying"
- The Appollonian Hillside or the Sordid Streets: Nature and the Mask in "The Decay of Lying"
- Seriousness and the Decadent Pose: Pater and Wilde
- Why Wilde is not a Genius
- Wilde and his Terms
- Wilde and Modernism/Postmodernism
- More Than Real: Art and Subjectivity in "The Decay of Lying"
- Wilde's Fictional Dialogue — Appropriate for Asserting Fact?
- Wilde's Characters
- Celebrity Sage Match: Wilde v. Beerbohm — or Satire Smoothes Rejection
- Wilde's Banter
- Wilde's Use of Dialogue in "The Decay of Lying"
- The Importance of Being Facetious
- The Art of Lying
- Oscar Wilde's Inverted Platonism
- Writing Assignments and Questions for The Importance of Being Earnest
- Thoroughly Modern Max / Oscar Night
- Wilde's Self-Conscious Contradiction
- Wilde's Wilde's Magical Metaphor-Proof
- Lying for Art's Sake
- Summary and Application of an Argument in "The Decay of Lying"
- Wilde's Vivian as a Personification of the Conceptual
- The Decay of Art Criticism in Wilde's Time
- Kant's aesthetic is refracted through Wilde's satire
- Questions and Contradictions in "The Decay of Lying"
- Wilde Plays Plato as Diogenes, Teaches Lying
Plays
Poems
- Subjectivity of Detail versus Subjectivity of the Panoramic: Oscar Wilde's "Impression du Matin," "Les Balloons," and "Symphony in Yellow"
- Decadence and discontentment in Oscar Wilde's "Helas!"
- The Dance of Femininity in Wilde’s "Les Balloons"
- A glimpse at lust redeemed in Oscar Wilde's "The Harlot's House
- "Symphony in Yellow" — Painting a Picture
- The Need for Contrasts in Oscar Wilde's "The Harlot House"
- A painting in words: Wilde's "Impression du Matin"
- The Duration of Beauty in Wilde's "Les Ballons"
- Voyeurism: Oscar Wilde's "The Harlot's House"
- The Riddle of "The Sphinx": Difficult Questions and Troublesome Answers
- Entendre? Jano's faces in Oscar Wilde's "Pan — Double Villanelle"
The Importance of Being Earnest
Last modified 21 April 2008