Hambleden by Mortimer Menpes, R.I.. Watercolor. Source: The Thames, 102. Text and formatting by George P. Landow. [You may use this image without prior permission for any scholarly or educational purpose as long as you (1) credit the University of Toronto and the Internet Archive and (2) link your document to this URL in a web document or cite it in a print one.]
The weirs at Hambleden are the most attractive on the river. Long curved bridges run across them from shore to shore, and are open to the public as a right-of-way. The curves strike off at different angles, and every moment the point of view changes. Whether we are passing over tumbling weirs, where the water glides across long mossy planes, or over sluice-gates where it bursts tall yellow irises and the greenest of green tufts grow in the water and about the foundations of the bridges. Looking back at the mill, we see it reflected in the calm, deep water above the weirs as in a polished looking-glass. There are old cedars and red-roofed cottages, and plenty of Scotch firs and yew hedges in the background. Away up the river is the white mass of Greenlands with its pierced look-out tower. [103-104]
Menpes, Mortimer, R.I., and G[eraldine]. E[dith]. Mitton. The Thames. London: A. & C. Black, 1906. Internet Archive version of a copy in the University of Toronto Library. Web. 18 April 2012.
18 April 2012