Click on images outlined in blue for additional information and for larger pictures, which take longer to download. Photographs by George P. Landow, © October 2000. They may be used for any scholarly or educational purpose without permission, as long as a credit appears.
Having approached Venice through Byron and Turner, Ruskin immediately fastened the nuances of their art to his own perceptions. According to him, the great moment of revelation about Venice came, not when he encountered the palaces along the Grand Canal or the Ducal Palace, or even Saint Mark's, but when he first saw Tintoretto's great cycle of paintings on the life of Christ. At the urging of his friend and drawing-master J. D. Harding, he visited the Scuola di San Rocco, where his encounter with Tintoretto's masterful cycle forced him, he says, to study the culture and history of Venice, and thus he came to write The Stones of Venice.
Last modified October 2000