The Angel of Light
John Everett Millais
Wood engraving by the Dalziels
6¼ x 4¼ inches
Anthony Trollope, Orley Farm, Vol 1, facing p. 282.
Lucius Mason’s agonized contemplation of his debts, his studies and the implications of the forthcoming charges made against his mother. The illustration is another intense moment, though the artist finds time to detail the nails in the sole of the character’s shoe: nature and human nature in the manner of Pre-Raphaelite realism.
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Scanned image and text by Simon Cooke.
[You may use this image, which has been reproduced with permission of Professor Julia Thomas, DMVI, Cardiff University, Wales, UK, without prior permission for any scholarly or educational purpose as long as you (1) credit the person who scanned the image and (2) link your document to this URL in a web document or cite the Victorian Web in a print one.]