| The eternal conflict  between land and sea plays out in the palace's third room. The “iron  coast and angry waves” battle to break each other directly next  door to the previous stanza's coastal scene of a lone figure pacing  along the sea's sandy edge. Menacing undertones of the night sea's  dangers rise to the surface in this stanza as an allegory for the  struggle between human society and the chaotic forces of nature.  Referring to it as the “iron coast” provides the key to  understanding the hint of a deeper meaning in the stanza.  Endless expanses of  water beat at the shores of civilization, as indicated by the  reference to iron—a natural element extracted and reformed by  humans to build the structures and machines that drove the  Industrial Revolution. Though the description of the iron coast can  refer simply to the cliffs' colors, the critical ambiguity paints a  poetic image of a coastal boundary wrought by humans to fend off the  vast, inhospitable sea.  
        
      The waves of chaos  batter the shores of civilization, but in the end the waves are  “rock-thwarted” and leave the land's defenses intact. The sea's  destructive energy is fended off for the moment, but the “bellowing  caves,/ Beneath the windy wall” belie the ultimate vulnerability of  the cliffs to erosion by the ceaseless battering by the wind and  waves. Click here to read the full essay. < Previous | Home | Next > |