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In the “Venetian Index,” Ruskin’s brief guide to Venetian architecture included near the end of the third volume of The Stones of Venice, he describes this palazzo, which he points out is “on the Grand Canal, near the Church of the Carità,” as “a perfect and very rich example of Byzantine Renaissance; its warm yellow marbles are magnificent” (11.391). In the “Early Renaissance” he includes it among the finer examples of this period’s architecture:

The two most refined buildings in this style in Venice are, the small Church of the Miracoli, and the Scuola di San Marco beside the Church of St. John and St. Paul. The noblest is the Rio Façade of the Ducal Palace. The Casa Dario, and Casa Manzoni, on the Grand Canal, are exquisite examples of the school, as applied to domestic architecture; and, in the reach of the Canal between the Casa Foscari and the Rialto, there are several palaces, of which the Casa Contarini (called “delle Figure”) is the principal, belonging to the same group, though somewhat later, and remarkable for the association of the Byzantine principles of colour with the severest lines of the Roman pediment, gradually superseding the round arch. [11.21]

More of Ruskin's Venice

Photographs 2020. [You may use these images without prior permission for any scholarly or educational purpose as long as you (1) credit the photographer and (2) link your document to this URL in a web document or cite the Victorian Web in a print one.]

Bibliography

Ruskin, John. The Works. Ed. E. T. Cook and Alexander Wedderburn. “The Library Edition.” 39 vols. London: George Allen, 1903-1912.


Last Modified 21 March 2020