xxx xxx xxx xxx

Images from the Gregory Household Edition are reproduced courtesy of Dickens enthusiast and bibliophile Dan Calinescu of Toronto, Ontario.

The curious story of the copyright for Great Expectations on American shores is complicated by the competing interests of three Yankee publishers. Assigned American serial rights by Dickens himself in exchange for significant financial considerations, Harper and Brothers (New York) applied for American copyright for Great Expectations on 15 November 1860, and then began publishing the novel in weekly instalments with two wood-engravings in each issue by house artist John McLenan on 24 November 1860. Possibly printed only for copyright purposes is a 168-page Peterson volume with no illustrations, derived directly from the text published serially in Harper's; it is undated, but is likely from early August 1861. Yet another American publisher, the pirate firm Gardner A. Fuller (Boston) was eager to bring out an edition as soon as possible; this firm's single volume octavo, illustrated by A. K. Kipps, was probably published later in 1861, but is undated; it was followed by another single-volume edition, dated 1862, with the Kipps' wood-engravings revised and sharpened as steel engravings by F. O. Freeman. Boston's Ticknor Fields, Dickens's official American publisher with volume rights, did not bring out a version of Great Expectations until 1866 in the fourteen-volume compact Diamond Edition.

New York publisher James G. Gregory's uniform octavo edition of the works of Charles Dickens (initiated in 1860) in fifty-five volumes in dark green cloth includes a pirated Great Expectations with a pair of frontispieces by noted banknote illustrator Felix Octavius Carr Darley. Since the serial run of the novel did not finish in Harper's Weekly: A Journal of Civilization until 3 August, 1861, Gregory was quick off the mark in registering his American copyright (reified by the book's having an American-born illustrator) on 26 August 1861, thereby stealing a march on the sanctioned edition issued by Philadelphia publisher T. B. Peterson, who did not enter his one-volume edition of the novel for copyright protection with the Library of Congress until 8 November 1861, even though the Peterson single-volume version like the English (Chapman and Hall) triple-decker was made available for sale in July, whereas the Gregory volume did not go on sale until September, 1861.

So, although Gregory's was the first edition to deposit copies at then Library of Congress, Peterson's was the first "published" — put into the hands of the public. [Loomis 19]

The Darley Illustrations for Volume 1, Great Expectations, and Character Studies from Dickens (1888)

Bibliography

Darley, Felix Octavius Carr. Character Sketches from Dickens. Philadelphia: Porter and Coates, 1888.

Dickens, Charles. Great Expectations. Works of Charles Dickens. Household Edition. 55 vols. Illustrated by F. O. C. Darley and John Gilbert. 2 vols. New York: James G. Gregory, 1861-62.

Dickens, Charles. Great Expectations. Illustrated by A. K. Kipps. Boston: Gardner A. Fuller, n. d. [1861?].

Dickens, Charles. Great Expectations. Illustrated by F. O. Freeman, from the original wood-engravings by A. K. Kipps. Boston and Rochester: Gardner A. Fuller and J. F. Hone, 1862.

Dickens, Charles. Great Expectations. Volume 19 of the Edition de Grande Luxe. Ed. Richard Garnett. London: Merrill and Baker, 1900.

Kitton, Frederic G. "F. O. C. Darley." Dickens and His Illustrators. London: Chapman and Hall, 1899. Rpt. Honolulu: University Press of the Pacific, 2004. Pp. 223-224.

Loomis, Richard Stillman, Jr. "45." First American Editions of Charles Dickens. The Calinescu Collection, Part II. Yarmouth, ME: Sumner and Stillman, 2012.


Created 10 February 2014

Last updated 13 April 2023