Footsteps in the corridor
John Everett Millais
Wood engraving by the Dalziels
6¼ x 4¼ inches
Anthony Trollope,Orley Farm, Vol 1, facing p. 240.
An image of Madeline Staveley’s unhappiness following her love-tryst with Peregrine. The image exemplifies Millais’s interest in female psychology and contrasts with Lady Mason’s suffering. Trollope describes her state of mind as a matter of ‘skulking’ (p.241), but the illustrator invests her figure with an intense melancholy which acts, typically, to expand the author’s range of implication.
Click on image to enlarge it.
Scanned image and text by Simon Cooke.
[You may use this image, which has been reproduced with permission of Professor Julia Thomas, DMVI, Cardiff University, Wales, UK, without prior permission for any scholarly or educational purpose as long as you (1) credit the person who scanned the image and (2) link your document to this URL in a web document or cite the Victorian Web in a print one.]