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Passage Illustrated: Those in Mr. Jaggers' Milieu

“Now, I ask you, you blundering booby,” said my guardian, very sternly, “once more and for the last time, what the man you have brought here is prepared to swear?”

Mike looked hard at my guardian, as if he were trying to learn a lesson from his face, and slowly replied, “Ayther to character, or to having been in his company and never left him all the night in question.”

“Now, be careful. In what station of life is this man?”

Mike looked at his cap, and looked at the floor, and looked at the ceiling, and looked at the clerk, and even looked at me, before beginning to reply in a nervous manner, “We’ve dressed him up like —” when my guardian blustered out, —

“What? You WILL, will you?”

(“Spooney!” added the clerk again, with another stir.)

After some helpless casting about, Mike brightened and began again: —

“He is dressed like a ’spectable pieman. A sort of a pastry-cook.”

“Is he here?” asked my guardian.

“I left him,” said Mike, “a setting on some doorsteps round the corner.”

“Take him past that window, and let me see him.”

The window indicated was the office window. We all three went to it, behind the wire blind, and presently saw the client go by in an accidental manner, with a murderous-looking tall individual, in a short suit of white linen and a paper cap. This guileless confectioner was not by any means sober, and had a black eye in the green stage of recovery, which was painted over.

“Tell him to take his witness away directly,” said my guardian to the clerk, in extreme disgust, “and ask him what he means by bringing such a fellow as that.” [Chapter XX]

Related Material

• Charles Dickens’s Great Expectations
• Bibliography of works relevant to illustrations of Great Expectations

Other Artists’ Illustrations for Dickens's Great Expectations

• Edward Ardizzone (2 plates selected)
• H. M. Brock (8 lithographs)
• J. Clayton Clarke ("Kyd") (2 lithographs from watercolours)
• Felix O. C. Darley (4 photogravure plates)
• Sol Eytinge, Jr. (8 wood engravings)
• Marcus Stone (8 wood engravings)
• John McLenan (40 wood engravings)
• F. A. Fraser (30 wood-engravings)
• Harry Furniss (28 plates)
• Charles Green (10 lithographs)

Bibliography

Allingham, Philip V. "The Illustrations for Great Expectations in Harper's Weekly (1860-61) and in the Illustrated Library Edition (1862) — 'Reading by the Light of Illustration'." Dickens Studies Annual, Vol. 40 (2009): 113-169.

Dickens, Charles. Great Expectations. Illustrated by John McLenan. [The First American Edition]. Harper's Weekly: A Journal of Civilization, Vols. IV: 740 through V: 495 (24 November 1860-3 August 1861).

______. ("Boz."). Great Expectations. With thirty-four illustrations from original designs by John McLenan. Philadelphia: T. B. Peterson (by agreement with Harper & Bros., New York), 1861.

______. Great Expectations. Illustrated by Marcus Stone. The Illustrated Library Edition. London: Chapman and Hall, 1862. Rpt. in The Nonesuch Dickens, Great Expectations and Hard Times. London: Nonesuch, 1937; Overlook and Worth Presses, 2005.

______. A Tale of Two Cities and Great Expectations. Illustrated by Sol Eytinge, Jr. The Diamond Edition. 16 vols. Boston: Ticknor and Fields, 1867.

______. Great Expectations. Volume 6 of the Household Edition. Illustrated by F. A. Fraser. London: Chapman and Hall, 1876.

______. Great Expectations. The Gadshill Edition. Illustrated by Charles Green. London: Chapman and Hall, 1898.

______. Great Expectations. The Grande Luxe Edition, ed. Richard Garnett. Illustrated by Clayton J. Clarke ('Kyd'). London: Merrill and Baker, 1900.

______. Great Expectations. "With 28 Original Plates by Harry Furniss." Volume 14 of the Charles Dickens Library Edition. London: Educational Book Co., 1910.

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Created 26 February 2007

Last modified 6 October 2021