Members of English 171, Brown University, Autumn 2007
- An Engaging Discourse
- "When the World Turns Clown": Representations of Humanity
- Ruskin & Nature: Sources of Inspiration
- Binary Grouping in "Traffic"
- Ruskin's Characterization of the Inconceivable
- Jeremiad (version 2.0) in "Traffic"
- John Ruskin's Unto This Last: Guiding the Reader to Self-evident Truths
- Rusin refuses to give advice . . .
- The Twisted Imagery of Ruskin's Political Economy
- Pacing Moral Economics
- The effect of Ruskin's aversion to specifics
Members of English/History of Art 256, Brown University, Autumn 27
- "The Modern Critic:" Artistic sage, middleman, or pusher?
- Ruskin and the Ideal
- Reading the Eighteenth Century: Ruskin on Pope
Members of English/History of Art 151, Brown University, Autumn 2004 and 2006
- Ruskin on the relation of truth and color, or truth of color
- Ruskin on "Of Truth of Colour"
- Ruskin and the Importance of Color in Painting
- The Layers of Ruskin's "On the Truth of Color"
- "He paints in colour, but he thinks in light and shade"
- Ruskin on Truth
- Ruskin on Truth and Convention
- Ruskin on Limitations of Art and Artist
- Moral Taste in Ruskin's "Traffic"
- Ruskin's Colors
Members of English 171, Brown University, Spring 2005
- Ruskin: Writing about Himself Writing about Himself
- The Value of Language: Etymological Analysis in "Ad Valorem"
- Everyday People in "The Roots of Honour"
- Lofty Targets in Ruskin
- Architecture as an Expression of Society's Moral Character
- Ruskin Getting at the Goddess of "Getting-on"
- Ruskin's love of Turner
- Ruskin's Pathos in "Traffic"
- The Key of Logic in John Ruskin's "The Roots of Honour"
- Honour That Doesn't Make Sense
- "Devoting me to God" — Ruskin's Tone in "The Springs of Wandel"
Members of English 65, Brown University, Spring 2004
Members of English 171, Brown University, Autumn 2003
- John Ruskin's conclusion to "Traffic"
- To Act, To Feel
- The Inseparability of Art, Religion, and Society in Ruskin's "Traffic"
- The Surprising Opening of "Traffic"
- Does Capitalism Equal Death in Ruskin's "Unto this Last"?
- Architecture as a Reflection of Mood
- Assumptions Ruskin Makes About His Audience in ‘Traffic’”
- Ruskin's Moral Theory of Wealth
- Ruskin and Colloquialism
- Does Ruskin ask too much of his Analogies?
- Ruskin's Anticipating Possible Arguments — Potential Pitfall, or Virtuosic Move?
- The Devil Science
- The source and expression Ruskin's discontent
Members of English 171, Brown University, Spring 2002
- Could Ruskin's logic possibly (gasp!) be flawed?
- Ruskin and Speechmaking
- The human being as covetous machine or selfless saint?
- Word-painting and the Sage
- Provoking Man Into Real Kinghood
- Ruskin's Rhetorical Turns
- Like a Sermon, Hey!: Heaven, Hell, Fire and Brimstone in Traffic
- Ruskin and his Audience
- Ruskin's patronizing tone
- Ruskin's Dialogues
- Ruskin's structure and validity
- Moral Traffic
- Ruskin's secular vs religious rhetorics
- Architecture as the Intersection of Form, Content, and Social Morality
- Is Ruskin a Socialist?
- Vice and Virtue
- Political Economy or Religion?
- The Goddess of Getting-on: Ruskin's Commentary Upon British Commerce
Some Related Information
- Fantasy in Art and Literature
- The literary fairy tale
- Ruskin on the Grotesque
- Ruskin as Victorian sage
- Ruskin as Victorian Sage: The Example of "Traffic" [chapter from New Approaches to Ruskin]
- Genre and Style in The Stones of Venice
- Ruskin as satirist
- Ruskin as word-painter
Last modified 18 October 2007