Arscott, Caroline. William Morris and Edward Burne-Jones: Interlacings. New Haven and London: Yale University Press, 2008 [review by Antoine Capet]
Barringer, Tim. Reading the Pre-Raphaelites. New Haven: Yale UP, 1999. [Review by George P. Landow].
Batchelor, John. Lady Trevelyan and the Pre-Raphaelite Brotherhood. London: Chatto & Windus, 2006 [Review by Jacqueline Banerjee]
Bills, Mark, and Vivien Knight, eds. William Powell Frith: Painting the Victorian Age. New Haven & London: Yale University Press, 2006 [Review by Jacqueline Banerjee].
Bills, Mark, et al. Frank Holl: Emerging from the Shadows. Exhibition catalogue. London: Philip Wilson in association with the Watts Gallery, 2013. [Review by George P. Landow].
Bucklow, Spike, and Sally Woodcock, eds. Sir John Gilbert, Art and Imagination in the Victorian Age. Farnham: Lund Humphries, 2011. [Review by Laurent Bury].
Bullen, J. B. Rossetti: Painter and Poet. London: Frances Lincoln, 2011 [Review by Elizabeth Helsinger].
Funnell, Peter, and Jan Marsh. A Guide to Victorian & Edwardian Portraits. London: National Portrait Gallery, 2011. [Review by Antoine Capet]
Daly, Nigel. The Lost Pre-Raphaelite: The Secret Life and Loves of Robert Bateman. London: Wilmington Square Books, 2014. [Review by George P. Landow].
Lawrence Gowing: Selected Writings. Ed. Sarah Whitfield. London: Ridinghouse, 2015. [Reviewed by Selby Whittingham].
Hamilton, James. A Strange Business: Making Art and Money in Nineteenth-Century Great Britain. London: Atlantic Books, 2014. [Review by George P. Landow]
Harrison, Colin, and Christopher Newall, with essays by Maurizio Isabella and Martin McLaughlin. The Pre-Raphaelites and Italy. Oxford and Farnham: Ashmolean Museum in association with Lund Humphries, 2011. [Review by Antoine Capet]
Kaenel, Philippe. Gustave Doré, Master of Imagination. Paris: Musée d'Orsay; Ottawa: National Gallery of Canada, 2014. [Review by George P. Landow]
Leighton House Museum. “A Victorian Obsession: Review of the Peréz Simón Collection.” [Review by Jacqueline Banerjee].
Marsden, Jonathan, ed. Victoria & Albert: Art & Love. London: Royal Collection Publications, 2010. [Review by Jacqueline Banerjee].
May, Stephen J. Voyage of the Slave Ship: J. M. W. Turner's Masterpiece in Historical Context. Jefferson, North Carolina: McFarland & Company, 2014. [Review by George P. Landow].
McDonald, Margaret F., and Patricia de MontfortAn American in London: Whistler and the Thames. London: Philip Wilson Publishers, 2013. [Review by Laurent Bury]
Myrone, Martin. Body Building: Reforming Masculinities in British Art, 1750-1810. New Haven: Yale University Press, 2005. [review by Deborah Needleman Armintor]
Paxman, Jeremy. The Victorians: Britain through the Paintings of the Age. London: BBC Books (Random House), 2009 [Review: "Art for (and of) the People" by Jacqueline Banerjee].
Staley, Allen. The New Painting of the 1860s: Between the Pre-Raphaelites and the Aesthetic Movement. New Haven (Conn.): Yale University Press, 2011. [Review by Antoine Capet]
Toll, Simon. Herbert Draper, 1863-1920: A Life Study. Woodbridge, UK: Antique Collector's Club, 2003 [Review by George P. Landow].
Treuherz, Julian, with contributions by Kenneth Bendiner and Angela Thirlwell. Ford Madox Brown: Pre-Raphaelite Pioneer. London: Philip Wilson, 2011 [Review: "Challenging Genius" by Jacqueline Banerjee.]
Tromans, Nicholas. Richard Dadd: The Artist and the Asylum. London: Tate Publishing, 2011. [Review by Laurent Bury].
Walker, John A. "Work": Ford Madox Brown's Painting and Victorian Life. London: Francis Boutle, 2006. [Review by George P. Landow].
Walton, Paul H. The Drawings of John Ruskin. Oxford: Clarendon Press, 1972 [Review by George P. Landow].
Exhibitions and their catalogues
Barringer, Tim, Jason Rosenfeld and Alison Smith, with Contributions by Elizabeth Prettejohn and Diane Waggoner. Pre-Raphaelites: Victorian Avant-Garde. London: Tate Publishing, 2012. [Review by Antoine Capet]
MacCulloch, Laura. Pre-Raphaelite Treasures at National Museums Liverpool. Liverpool: University Press / National Museums Liverpool, 2013. [Review by Antoine Capet].
Newall, Christopher (with contributions by Christopher Baker, Conal Shields, and Ian Jeffrey. John Ruskin Artist and Observer. Ottawa: National Gallery of Ottawa; London Paul Holberton Publishing, 2014. [Review by George P. Landow].
Ruskin, Turner and the Pre-Raphaelites, 2000 Exhibition at Tate Britain and catalogue [Review by Diane J. Gamble].
Smith, Alison, and Jason Rosenfeld. Millais. Tate Britain: Exhibition 26 September 2007 – 13 January 2008. [Review by Antoine Capet]
“Victorians to the Life: The Guildhall Art Gallery's New Display of Victorian Paintings.” [Review by Jaqueline Banerjee]
Waggoner, Diane. With essays by Tim Barringer, Joanne Lukitsh, Jennifer L. Roberts and Britt Salvesen. The Pre-Raphaelite Lens: British Photography and Painting, 1848-1875. Washington, DC, and Farnham (UK): National Gallery of Art in association with Lund Humphries, 2010. [Review by Antoine Capet]
Last modified 2 September 2015