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Furniture becomes lighter again
By the 1880's, heavily carved, ponderous furniture was being replaced by lighter designs, often inlaid with marquetry. Rather flimsy bamboo furniture became fashionable, while Japanese screens and Oriental trifles, blue and white china, sunflowers and peacock feathers, joined the crowd of ornamental odds and ends. Meanwhile, the habit of collecting antique furniture had degenerated into a form of mania with many people, and was indirectly stimulated by the deliberate mediaevalism of the handicraft revival. [Gloag, p. 42]
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Left to right: (1) Attributed to William James Audsleyand George Ashdown Audsley. (2) Philip Webb. (3) William Burges. (4) Charles Robert Ashbee.
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Left to right: (1) E. W. Godwin. (2) George Jack. (3) ames Herbert MacNair. (4) E. A. Taylor.
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Left to right: (1) E. A. Taylor. (2) E. A. Taylor. (3) George Logan and Jessie M. King.
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Left to right: (1) and (2) Collinson and Lock. (manufacturers). (3) W. C. Codman.
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Left to right: (1) C. Hindley & Sons (manufacturers). (2) Crace. (3) J. S. Henry and Co. (manufacturers). (4) Richard Norman Shaw.
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Left to right: (1) Philip Speakman Webb, Designer; Morris & Co., Manufacturer; Edward Burne-Jones, Painter. (2) J. S. Henry and Co. (manufacturers). (3) Gilbert Bayes
Related Materials about Victorian Furniture
- Furniture that gave Victorian style a bad name
- One Reaction: Gothic Furntiture
- Art Furniture -- Sofas and Chairs
- Art Furniture -- Tables
- Art Furniture -- Pianos
- Bibliography
References
Gloag, John. Victorian Comfort: A Social History of Design, 1830-1900. A. C. Black, 1961. (Reprinted 1973 by David and Charles, Newton Abbot.)
Wainwright, Clive. Introduction. Architect-Designers from Pugin to Mackintosh. Exhibition catalogue. London: The Fine Art Society with Haslam & Whiteway Ltd., 1981.
Last modified 8 December 2009