[Victorian Web Home —> Visual Arts —> Victorian Painters —> Sir John Everett Millais —> Drawings and Studies by Millais]

Finished drawings and watercolors

• Charles Collins
• The Disentombment of Queen Matilda, 1849
• The Auctioneer, 1849
• The Dying Man, 1853
• Design for a gothic window , 1853
• The Romans Leaving Britain, 1853
• Accepted, 1853
• The Ghost, 1853
• Euphemia Chalmers Gray, 1853
• The Blind Man, 1853
• Virtue and Vice, 1853
• St. Agnes' Eve, 1854
• Retribution, 1854
• The Race Meeting, 1855
• Happy Springtime, early 1860s
• Christmas Story-telling, 1862
• The Crawley Family, 1860 (based on illustration)

Studies for paintings

• Design for a picture of "The Canterbury Pilgrims", 1850
• Lorenzo and Isabella
• Head of a Man (Dante Gabriel Rossetti), 1848
• Christ in the House of His Parents
• Original drawing, 1850
• Sketch of four figures, 1850
• Ferdinand and Ariel
• First sketch, 1849
• The Woodsman's Daughter
• Design for painting (detailed drawing), 1848
• The Deluge, c. 1850
• Mariana and The Return of the Dove , 1850
• The Huegenot
• Preparatory study (1)
• Preparatory study (2)
• Preparatory study (3)
• Preparatory study (4)
• Fifth and final composition (5)
• The Order of Release
• Sketch (1), 1852
• Sketch (2), 1852
• A Dream of the Past
• First sketch, 1857

Family Sketches

• William Millais at Work, 1853
• A wet day's pastime, 1853
• Fishing in Lock Achray, 1853
• Enter Lord and Lady Fiddledidee, 1853
• The Idle and the Industrious Painter, 1853
• Kirk, 1853
• The best days sketching, 1853
• The Countess as barber, 1853
• Wayside Refreshment, 1853

Studies for book illustrations

• Two Studies of Emma Moreland from "Edward Gray"
• Unused Drawing for The Germ, 1850

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Last modified 16 March 2006