The author’s thanks go to Jennie De Protani, archivist at the Athenæum, whose knowledge, energy and patience have made this study possible; to Andrew Wilton, who kindly read the draft and suggested corrections and improvements;to Michael Hockney for editing and laying out this Athenæum Pamphlet and to Jonathan Ford, Secretary of the Club, for overseeing the photography and the production of this pamphlet. Also to the following: Simon Carter, Collections Manager, St Paul’s Cathedral Chapter, London; Sir Edward Dashwood, Bart, West Wycombe Park, Buckinghamshire; Rachel Hewitt, Collections Manager, Royal Academy; Jonathan Marsden, Director of the Royal Collection; Sandy Paul, Sub-Librarian at Trinity College, Cambridge; Dr Norma Potter, Librarian at All Souls’ College, Oxford; Marcus Risdell, Librarian at the Garrick; The National Trust staff at Wimpole Hall, Cambridgeshire.

Select Bibliography

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Baker, M. ‘The Making of Portrait Busts in the mid-18th century: Roubiliac, Scheemakers and Trinity College, Dublin’. Burlington Magazine (December 1995): 821-31.

Clifford, T. ‘The Plaster Shops of the rococo and neo-classical Era in Britain’ Journal of the History of Collections 4.1, Oxford 1992, 39-65.

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Kenworthy-Browne, John. ‘Plaster Casts for the Crystal Palace, Sydenham’. The Sculpture Journal 15.2 (2008): 173-196.

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Roscoe, I , E Hardy and M S Sullivan. A biographical Dictionary of Sculptors in Britain 1660-1850. New Haven and London: Yale UP, 2009.

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Other sections of A Temple of British Worthies: The Historic Portrait Busts in the Athenæum

Last modified 24 November 2011