"Mr. Guppy's desolation" — seventh illustration by "Phiz" (Hablot Knight Browne) for "Bleak House" (June 1852)

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Mr. Guppy's desolation

Phiz (Hablot K. Browne)

1853

Etching

4 1/8 x 4 1/8 inches

Facing p. 121 of Dickens's Bleak House, Chapter XII, "On the Watch" [for text illustrated, see below]

Scanned image and text by George P. Landow.

[You may use this image without prior permission for any scholarly or educational purpose as long as you (1) credit the person who scanned the image and (2) link your document to this URL in a web document or cite the Victorian Web in a print one. ]

Passage Illustrated: Guppy takes consolation at the Theatre

I was sitting in front of the box one night with Ada, and Richard was in the place he liked best, behind Ada's chair, when, happening to look down into the pit, I saw Mr. Guppy, with his hair flattened down upon his head and woe depicted in his face, looking up at me. I felt all through the performance that he never looked at the actors but constantly looked at me, and always with a carefully prepared expression of the deepest misery and the profoundest dejection.

It quite spoiled my pleasure for that night because it was so very embarrassing and so very ridiculous. But from that time forth, we never went to the play without my seeing Mr. Guppy in the pit, always with his hair straight and flat, his shirt-collar turned down, and a general feebleness about him. If he were not there when we went in, and I began to hope he would not come and yielded myself for a little while to the interest of the scene, I was certain to encounter his languishing eyes when I least expected it and, from that time, to be quite sure that they were fixed upon me all the evening.

I really cannot express how uneasy this made me. If he would only have brushed up his hair or turned up his collar, it would have been bad enough; but to know that that absurd figure was always gazing at me, and always in that demonstrative state of despondency, put such a constraint upon me that I did not like to laugh at the play, or to cry at it, or to move, or to speak. I seemed able to do nothing naturally. As to escaping Mr. Guppy by going to the back of the box, I could not bear to do that because I knew Richard and Ada relied on having me next them and that they could never have talked together so happily if anybody else had been in my place. So there I sat, not knowing where to look — for wherever I looked, I knew Mr. Guppy's eyes were following me — and thinking of the dreadful expense to which this young man was putting himself on my account. [Chapter XII, "On the Watch, 120-121; "Project Gutenberg etext (see bibliography below)]

Related Material, including Other Illustrated Editions

Bibliography

Dickens, Charles. Bleak House. Illustrated by Hablot Knight Browne ("Phiz"). London: Bradbury & Evans. Bouverie Street, 1853.

Dickens, Charles. Bleak House. Project Gutenberg etext prepared by Donald Lainson, Toronto, Canada (charlie@idirect.com), with revision and corrections by Thomas Berger and Joseph E. Loewenstein, M.D. Seen 9 November 2007.

Steig, Michael. Chapter 6. "Bleak House and Little Dorrit: Iconography of Darkness." Dickens and Phiz. Bloomington & London: Indiana U. P., 1978. 131-172.

Vann, J. Don. "Bleak House, twenty parts in nineteen monthly instalments, October 1846—April 1848." Victorian Novels in Serial. New York: The Modern Language Association, 1985. 69-70./

Created 12 November 2007

Last modified 3 March 2021